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Tintoretto
The Venetian painter Jacopo Tintoretto (1518 94) is an ambiguous figure in the history of art. Critics and writers such as Vasari, Ruskin and Sartre all placed him in opposition to the established artistic practice of his time, noting that he had abandoned the values that typified the venerable Venetian Renaissance tradition, even being expelled as an apprentice from the workshop of Titian. This generously illustrated book offers a long-overdue re-evaluation of Tintoretto. Tom Nichols charts the artist's life and work in the context of Venetian art and the culture of the Cinquecento. He shows how the artist created a new manner of painting, which for all its originality and sophistication made its first appeal to the shared emotions of the widest-possible viewing audience. The book deals extensively with Tintoretto's greatest works, including the paintings at the Scuola di San Rocco in Venice."
Dictionary of Texas Artists, 1800-1945
Presents an alphabetical listing of artists who have lived, worked, and exhibited in Texas between 1800 and 1945; features color reproductions of one or more of each artist's works; and includes tables of the major exhibitions and competitions in Texas during the late nineteenth and early twentieth century.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Italian Fifteenth- to Seventeenth-century Drawings
Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as ...
A Companion to Late Antique and Medieval Islamic Cordoba
A Companion to Late Antique and Medieval Islamic Cordoba offers a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Fathers and Godfathers
In medieval Europe baptism did not merely represent a solemn and public recognition of the 'natural' birth of a child, but was regarded as a second, 'spiritual birth', within a social group often different from the child's blood relations: a spiritual family, composed of godfathers and godmothers. By analyzing the changing theological and social nature of spiritual kinship and godparenthood between 1450 and 1650, this book explores how these medieval concepts were developed and utilised by the Catholic Church in an era of reform and challenge. It demonstrates how such ties continued to be of major social importance throughout the sixteenth and seventeenth centuries, but were often used in wa...
