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While the Iranian nation-state has long captivated the attention of our media and politics, this book examines a country that is often misunderstood and explores forgotten aspects of the debate. Using innovative multi-disciplinary methods, it investigates the formation of an Iranian national identity over the last century and, significantly, the role of Iranian people in defining the contours of that identity. By employing popular culture as an archive of study, Assal Rad aims to rediscover the ordinary Iranian in studies of contemporary Iran, demonstrating how identity was shaped by music, literature, and film. Both accessible in style and meticulously researched, Rad's work cultivates a more holistic picture of Iranian politics, policy, and society, showing how the Iran of the past is intimately connected to that of the present.
"German artist Elise Blumann arrived in Western Australia in 1938, having fled Nazi Germany in 1934. With her husband and two sons, she set up home on the banks of the Swan River and began to paint. Over the next ten years she produced a series of portraits set against the river and the Indian Ocean, and pursued an anlysis of plant forms ... to brilliant effect. In this study Sally Quin traces Blumann's formative student years in Berlin and her first decade in Australia, where the artist reinvented her working method in response to the intense light and colour of the local landscape ... Blumann was a conservative modernist, but the Perth art scene was not prepared for her expressive style, and when she exhibited for the first time in 1944 her art was met with bewilderment. The book considers attitudes to modernism in Perth and the influence on local culture of European refugees and emigrés newly arrived in the city ... Quin establishes Blumann as a significant figure in the story of Australian modernism"--Publisher's description.
Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era. Culture was no longer to be framed by ‘progress’. In 1970, taking stock of the situation, he announced that he was a copyist, there being no such thing as a new creation in art, shaped as it was by visual languages. Nor did he intend to limit his curiosity about the relation of art to life by restricting himself to a ‘personal’ style. There followed a long and passionately adventurous exploration into many subjects and styles, during which Watkins was often the first to signal changes taking place in Western culture. The result is that for half a century he has been a major, if controversial figure in Australian art.
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Vandalized art. An unsuited suitor. And the summer’s only beginning… The Ladies of Almack’s are shocked to discover that someone is vandalizing the pictures at the Royal Academy’s Summer Exhibition: the portraits and landscapes are being subtly altered to make malicious fun of the head of the Exhibition, Sir Henry Hebbly, and his wife. Annabel knows the Hebblys: Sir Henry is a bit of a bully, but who could wish to hurt his darling wife? The Ladies’ talents—especially her shadow-shaping abilities—will solve the case, but are the culprits Annabel catches the ones truly at fault? And magical art sabotage isn’t the only thing on her mind. Surely she should be delighted that the attentions of a new admirer, the Marquis of Glenrick, are becoming marked: after all, he’s heir to a dukedom. But she’s beginning to think she might prefer the attentions of a different marquis… The Cursed Canvases is the fourth installment of The Ladies of Almack’s series by Marissa Doyle. CLICK ‘BUY NOW’ TO READ ABOUT THE LADY PATRONESSES’ ARTFUL INVESTIGATION!
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The book is a fictionalized account of two people united in marriage for the wrong reasons.The bride is eager to flee her abusive brothers and the groom is seeking a partner who has a sizable dowry to pay the mortgage on his real estate. They are both reared by widowed mothers with strong religious beliefs. They are faced with hereditary strengths, weaknesses and environmental influences which cause them grief and bitterness. These conflicts are felt by their children. Early experiences bring change to their lives while the groom's sister seeks to maintain balance in the troubled family. She along with an injured World War II veteran bring heartfelt healing to this family.
Social Policy Review 15 continues the tradition of providing a different style and approach to policy issues from that found in most academic journals and books. Welfare and Welfare Reform in the USA, Europe and the UK combines issues such as globalization, Europe and pensions with examination of the current and historical contexts of social policy. Chapters have been purposely chosen to review a varied and interesting selection of topical social policy developments and to set these in a broader context of key trends and debates. Published in association with the UK Social Policy Association.