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Paper Emperors
‘A tour de force.’ — Professor Rodney Tiffen Before newspapers were ravaged by the digital age, they were a powerful force, especially in Australia — a country of newspaper giants and kingmakers. This magisterial book reveals who owned Australia’s newspapers and how they used them to wield political power. A corporate and political history of Australian newspapers spanning 140 years, it explains how Australia’s media system came to be dominated by a handful of empires and powerful family dynasties. Many are household names, even now: Murdoch, Fairfax, Syme, Packer. Written with verve and insight and showing unparalleled command of a vast range of sources, Sally Young shows how ne...
Sally Heathcote, Suffragette
Follows the fortunes of a common housemaid swept up in the feminist militancy of early 20th century Edwardian Britain. As the growing hunger for change grows within a culture of rigid social mores and class barriers, Sally and thousands like her rise up to break the bonds of oppression at the risk of ostracization and violence.
How Australia Decides
In recent years, the Australian media have come under fire for their reporting of politics and election campaigns. Political reporting is said to be too influenced by commercial concerns, too obsessed with gossip and scandal, and too focused on trivia and 'sound bites' at the expense of serious issues. There are accusations of bias, sensationalism, 'lazy' journalism and 'horse-race' reporting that is obsessed with opinion polls. How Australia Decides is the first book to put these allegations to the test. Based on a four-year empirical study, Sally Young reports the results of the only systematic, historical and in-depth analysis of Australian election reporting. This groundbreaking book shows how election reporting has changed over time, and how political news audiences, news production and shifts in political campaigning are influencing media content – with profound implications for Australian democracy.
Brigham Young
Brigham Young was a rough-hewn New York craftsman whose impoverished life was electrified by the Mormon faith. Turner provides a fully realized portrait of this spiritual prophet, viewed by followers as a protector and by opponents as a heretic. His pioneering faith made a deep imprint on tens of thousands of lives in the American Mountain West.
At Twelve
Portraits of Young women.
Broadway Musicals, 1943-2004
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Sally Mann: at Twelve, Portraits of Young Women (30th Anniversary Edition)
To mark the book's thirtieth anniversary, Aperture is reoriginating the groundbreaking classic At Twelve: Portraits of Young Women in a masterful facsimile edition. At Twelve is Sally Mann's revealing, collective portrait of twelve-year-old girls on the verge of adulthood. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a pose--what adults make of that pose may be the issue." The young women in Mann's unflinching, large-format photographs, however, are not victims. They return the viewer's gaze with a disturbing equanimity.
Sondheim's Broadway Musicals
The first in-depth look at the work and career of one of the most important figures in the history of musical theater
Introduction to Sally
Mr. Pinner was a God-fearing man, who was afraid of everything except respectability. He married Mrs. Pinner when they were both twenty, and by the time they were both thirty if he had had to do it again he wouldn’t have. For Mrs. Pinner had several drawbacks. One was, she quarrelled; and Mr. Pinner, who prized peace, was obliged to quarrel too. Another was, she appeared to be unable to have children; and Mr. Pinner, who was fond of children, accordingly couldn’t have them either. And another, which while it lasted was in some ways the worst, was that she was excessively pretty. This was most awkward in a shop. It continually put Mr. Pinner in false positions. And it seemed to go on so l...
