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Salman Rushdie is one of the world’s most important writers of politicised fiction. He is a self-proclaimed controversialist, capable of exciting radically divergent viewpoints, a novelist of extraordinary imaginative range and power, and an erudite, and often fearless, commentator upon the state of global politics today. In this comprehensive and lucid critical study, Andrew Teverson examines the intellectual, biographical, literary and cultural contexts from which Rushdie’s fiction springs in order to help the reader make sense of the often complex debates that surround the life and work of this major contemporary figure. Teverson also offers detailed critical readings of all Rushdie’s novels, from Grimus through to Shalimar the Clown. This definitive guide will be of interest to those working in the fields of contemporary world writing in English, postcolonial studies, twentieth and twenty-first century British literatures, and studies in the novel.
A collection of critical essays on Salman Rushdie's work.
Discover a brilliant collection of short stories from the Booker prize-winning author. This dazzling collection of short stories explores the allure and confusion of what happens when East meets West. Fantasy and realism collide as a rickshaw driver writes letters home describing his film star career in Bombay; a mispronunciation leads to romance and an unusual courtship in sixties London; two childhood friends turned diplomats live out fantasies hatched by Star Trek; and Christopher Columbus dreams of consummating his relationship with Queen Isabella. With one foot in the East and one foot in the West, this collection reveals the oceanic distances and the unexpected intimacies between the two.
Literary criticism of Rushdie's work outside of special journals and periodicals.
Gibreel Farishta, India's legendary movie star, and Saladin Chamcha, the man of a thousand voices, fall earthward from a bombed jet toward the sea, singing rival verses in an eternal wrestling match between good and evil.
Salman Rushdie in Context discusses Rushdie's life and work in the context of the multiple geographies he has inhabited and the wider socio-cultural contexts in which his writing is emerging, published and read. This book reveals the evolving political trajectory around transnationalism, multiculturalism and its discontents, so prominently engaged with by Salman Rushdie in relation to South Asia, its diasporas, Britain, and the USA in the late twentieth and early twenty-first century. Focused on the aesthetic, biographical, cultural, creative, historical and literary contexts of his works, the book reveals his deep engagement with processes of decolonization, emergent nationalisms in South Asia, Europe and the USA, and diasporic identity constructions and how they have been affected by globalisation. The book traces how, through his fiction and non-fiction, Rushdie has profoundly shaped the discussion of important questions of global citizenship and migration that continue to resonate today.
This updated and expanded new edition reviews Rushdie's novels in the light of recent critical developments. It also features new chapters which examine the author's latest works including Fury (2001), Shalimar the Clown (2005) and The Enchantress of Florence (2008), bringing coverage of this important British author up to the present. This updated and expanded new edition reviews Rushdie's novels in the light of recent critical developments. It also features new chapters which examine the author's latest works including Fury (2001), Shalimar the Clown (2005) and The Enchantress of Florence (2008), bringing coverage of this important British author up to the present.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE* 'A wonderful, rich and humane novel... a classic' Guardian Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious. WITH A NEW 40TH ANNIVERSARY INTRODUCTION BY THE AUTHOR
From the author of The Satanic Verses and Midnight's Children comes an unflinchingly honest and fiercely funny account of a life turned upside-down. On Valentine's Day, 1989, Salman Rushdie received a telephone call from a BBC journalist that would change his life forever: Ayatollah Khomeini, a leading Muslim scholar, had issued him with a fatwa. This is his own account of how he was forced to live in hiding for over a decade; at once intimate and explosive, this is the personal tale behind the international story. In Joseph Anton, Rushdie tells the remarkable story of one of the crucial battles, in our time, for freedom of speech. Shortlisted for the James Tait Black Biography Prize
**SHORTLISTED FOR THE BOOKER PRIZE** **SUNDAY TIMES BESTSELLER** Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age. Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with the TV star Salman R. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where 'Anything-Can-Happen'. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse, with the kind of storytelling magic that is the hallmark of his work. The fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.