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Salon Pictures
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Paul Landowski
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Les années de la Belle Epoque
Pour faire suite aux Années impressionnistes, ce volume offre un large panorama de ce qui fut l'esprit "fin de siècle" et de la naissance de la modernité, entre 1890 et 1914.
Autour de l'art juif
Une recherche de près de dix ans. Une somme sans équivalent pour cette première édition : plus de 6 000 artistes autour de l'art juif (peintres, sculpteurs, photographes...). Près de 400 reproductions de tableaux, sculptures et photographies. Un dictionnaire de mémoire qui redonne vie à quelque 500 artistes disparus pendant la Seconde Guerre mondiale, dont il n'existe plus aucune oeuvre, détruites par les nazis - comme si la mort ne suffisait pas... Un livre pour témoigner de l'immense culture juive - désormais l'on saura qu'elle appartient sans conteste au patrimoine de l'humanité.
Rivals and Conspirators
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Womenâ (TM)s Salon in 1881 followed by the Independent Artistsâ (TM) Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the â oemodern art centreâ . Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Span...
L'Art français
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Rivals and Conspirators
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pabl...
