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Emily Carr
As a child she was "contrary,"as a young woman she defied convention to choose art over marriage, and as a middle-aged woman she was considered a full-blown eccentric. Listening to her own inner voice, Emily Carr created an art unique to British Columbia.
Light Housekeeping
At times deceptively simple, the poems in Light Housekeeping explore the tentative presence of the soul in everyday life through reflections on teaching, writing, familial bonds and raising a child.
Artist Emily Carr and the Spirit of the Land
Emily Carr, often called Canada’s Van Gogh, was a post-impressionist explorer, artist and writer. In Artist Emily Carr and the Spirit of the Land Phyllis Marie Jensen draws on analytical psychology and the theories of feminism and social constructionism for insights into Carr’s life in the late Victorian period and early twentieth century. Presented in two parts, the book introduces Carr’s émigré English family and childhood on the "edge of nowhere" and her art education in San Francisco, London and Paris. Travels in the wilderness introduced her to the totem art of the Pacific Northwest coast at a time Aboriginal art was undervalued and believed to be disappearing. Carr vowed to doc...
Ghost Fishing
Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as “the place we work, live, play, and worship.” This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as h...
Breathing the Page
A written work is more than just letters on a page — it is a complex web of relationships. Some, like the relationship between words and phrases, or story and plot, are obvious. Others, such as the way writers interact with their physical tools, or how storytellers convey meaning to an audience, are less apparent. But to write well, one must recognize, understand, and be guided by all of these relationships. In Breathing the Page: Reading the Act of Writing, Betsy Warland takes the reader on her quest to articulate the powerful forces beneath the language of craft. In this collection of essays, Warland reveals that it is the manner in which we encounter these forces that makes, or breaks, ...
