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The Wailing
Na Hong-jin's The Wailing (2016) has been acclaimed as one of the very best horror films of recent years. In The Wailing, a mysterious illness turns its rural victims into comatose perpetrators of familicide. In the fog of an unknown spiritual war, police officer Jong-goo is helpless as his community fragments and suspicions turn to a mysterious Japanese stranger. When Jong-goo's young daughter becomes a target between warring factions, Jong-goo faces zombies, ghosts, devils, and the possessed to uncover what is happening, and why.Over its 156 minutes the film plays with apparently opposed genres, such as slapstick comedy, small-town drama, otherworldly horror, and religious agony, which combine to obscure our search for meaning. The Wailing's cross-pollination makes for an overwhelming experience, one that leads viewers down a twisting road of deep laughter and crushing silence. Since its release, the film has continued to confound viewers, but in this Devil's Advocate, Sam Ankenbauer attempts to illuminate the world of The Wailing, where religions, politics, cultures, and histories combine, resulting in a truly unique film experience.
Target in the Night
A masterful psychological and political crime novel by Argentina's greatest living writer expands the genre of "paranoid fiction."
Monstrous Possibilities
This book focuses on how the abject spectacle of the ‘monstrous feminine’ has been reimagined by recent and contemporary screen horrors focused on the desires and subjectivities of female monsters who, as anti-heroic protagonists of revisionist and reflexive texts, exemplify gendered possibility in altered cultures of 21st century screen production and reception. As Barbara Creed notes in a recent interview, the patriarchal stereotype of horror that she named ‘the monstrous-feminine’ has, decades later, ‘embarked on a life of her own’. Focused on this altered and renewed form of female monstrosity, this study engages with an international array of recent and contemporary screen entertainments, from arthouse and indie horror films by emergent female auteurs, to the franchised products of multimedia conglomerates, to 'quality' television horror, to the social media-based creations of horror fans working as ‘pro-sumers’. In this way, the monograph in its organisation and scope maps the converged and rapidly changing environment of 21st century screen cultures in order to situate the monstrous female anti-hero as one of its distinctive products.
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Before
"Carmen Boullosa is, in my opinion, a true master."—Alvaro Mutis Part bildungsroman, part ghost story, part revenge novel, Before tells the story of a woman who returns to the landscape of her childhood to overcome the fear that held her captive as a girl. This powerful exploration of the path to womanhood and lost innocence won Mexico's two most prestigious literary prizes. Carmen Boullosa, one of Mexico's leading writers, has published nearly twenty novels. Her most recent novel, Texas: The Great Theft, won the 2014 Typographical Era Translation Award and was shortlisted for the 2015 PEN Translation Award.
The Palgrave Handbook of Contemporary Gothic
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark p...
