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Promised Lands
An attempt to locate cinema alongside philosophy, painting, geography and travel in terms of a history of modernism. The book focuses on a collection of geographical and ethnographic films and photographs amassed by banker Albert Kahn, in the 1900s - arguably an instance of French modernism.
Montage
As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts.
The Passion of Pier Paolo Pasolini
Pasolini was a controversial film-maker, poet and essayist, best known for his films narrating myths, such as Oedipus Rex, Medea, Theorem, The Canterbury Tales, The Decameron and A Thousand and One Arabian Knights. This book is a personal account of Pier Paolo Pasolini's cinema and literature, written by the author of Antonioni and Rocco and his Brothers.
Antonioni
No Marketing Blurb
Fellini Lexicon
Federico Fellini (1920-93) was one of the most inventive of film-makers and he remains one of the best loved. Director of a whole series of celebrated films - among them La Strada (1954) The Nights of Cabiria (1957), La Dolce Vita (1960), Otto e Mezzo (1963) and Amarcord (1973) - he created melancholy, magical worlds peopled by clowns, dreamers, conmen, trumpeters and werewolves. Fellini Lexicon explores the forms and substances, significances and insignificances, objects and shadows in Fellini's work - the dance and music of his characters, the colour, light, and movement in his images. The Lexicon accompanies Fellini's films, rather than seeking to possess them, taking pleasure in their incongruities, exaggerations, absurdities and surprises. The entries are reversible, overlapping, often unlikely, combining careful analysis of the films with a celebration of their richness. Fellini Lexicon is an original, delightful approach to Fellini's work and to the practice of film criticism.
The Passion of Pier Paolo Pasolini
. . . a keen and brilliant critical account of Pasolini's films and writings . . . --Italica Rohdie's personal, idiosyncratic critical style is backed up by serious scholarly research, as the rich bibliography attests. This is one of the most original recent additions to the ever-growing literature on Pasolini. --Choice . . . refreshingly personal and full of unpredictable tangents. --Film Quarterly Sam Rohdie has written a personal, wonderfully lucid account of Pier Paolo Pasolini's cinema and literature.
Movies and Methods
VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context ...
Film modernism
This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.
Rocco and His Brothers (Rocco E i Suoi Fratelli)
Sam Rohdie's insightful and compelling analysis of Luchino Visconti's 1960 epic of modern urban life provides reveals the film as one of the greatest masterpieces of Italian cinema. Rocco tells the story of a family of peasants uprooted from their village in southern Italy, and forced to battle for existence in the industrial metropolis of Milan. Though fascinated by the social reality of modern Italy, Visconti had by this time thrown off the influence of the neorealist movement. He had developed a style all his own, enriched by his experience of directing opera for the stage. As a result, the characters in Rocco are no longer held in check by the naturalistic conventions of neorealism. Inst...
Marked Women
Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with t...
