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Explorer, musician, and educator Sam Zebba is a modern-day Renaissance Man. In humorous yet penetrating lines he recreates events which he experienced throughout his well-travelled life. Aspects of My Life is a celebration of optimism, warmth, and awe toward all fellow human beings. “Bestowed with wit, realism, and knowledge, Zebba is as keen an observer as he is deeply empathetic. With the vivid portraits of those he learned from, shared with, pleaded and fought for, an epoch comes to life.” Caroline Fetscher, historian and editor at large, Berlin “Zebba writes of his experiences with the same verve and insight that he brought to his extraordinary career. In a life filled with challenges and adventure, he has filled his years with what most people only dream about.” Prof. Ernie Rose, documentary film specialist & retired Fine Arts college dean, USA ”Aspect of My Life is a touching, evocative, beautifully observed odyssey, full of resonances and impressionistic imagery. It is the best kind of writing.” Dr. John Lazarus, literary critic, formerly Principal of Yehudi Menuhin School, London
In this book Sonja Krause Goodwin recounts her experience joining the Peace Corps in 1964 and describes the training she underwent to teach in Nigeria at Columbia Teachers College in New York City. Goodwin tells readers about her service as a University teacher in physics while also serving as head of the Physics Department at Lagos University in Nigeria. She also describes her vacation travels during that time, mostly in Nigeria— including an attempt to climb Mt. Cameroon. She writes about her interactions with her students, her fellow University teachers and other University employees, her fellow Peace Corps volunteers and other expatriates, and Nigerians whom she met under during her travels. Goodwin also delves into the politically motivated “university crisis” that led to the exodus from the university and Nigeria of almost all the expatriate teaching staff of the university including the Peace Corps volunteers. She also discusses some of her work for the West African Examinations Council and the Aptitude Testing Unit in Lagos while waiting to be sent to another assignment for her second year in the Peace Corps.
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Emanuel Goldenberg was born in Romania and from the age of ten grew up in New York's Lower East Side. He trained at the legendary Theater Guild, changed his name, and starred in many successful Broadway plays before moving to Hollywood. Among his most famous films were Double Indemnity with Barbara Stanwyck, The Stranger with Orson Welles, Key Largo with Humphrey Bogart and Lauren Bacall, The Ten Commandments with Charlton Heston, The Cincinnati Kid with Steve McQueen, and, of course, Little Caesar. After twenty successful years in film, Robinson's career was shattered by the McCarthy Commission. Although there was never any concrete proof that Robinson was in fact a member of the Communist party, it took five years for him to clear his name. In this fascinating biography, Alan L. Gansberg reveals the man behind the public face, his many memorable roles among more than 100 films, and his struggle to find steady work in Hollywood again. Includes 16 pages of photos.
Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an ...
Edward G. Robinson, a 1930s cinema icon, had an acting career that spanned more than 60 years. After a brush with silent films, he rose to true celebrity status in sound feature films and went on to take part in radio and television performances, then back to Broadway and on the road in live theatre. This work documents Robinson's every known public performance or appearance, listing co-workers, source material, background and critical commentary. The entries include feature films, documentaries, short subjects, cartoons, television and radio productions, live theatre presentations, narrations, pageants, and recordings. Also included are entries relating to his life and career, ranging from his wives to his art collection.
Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, “monopack” color stocks came to dominate global film markets. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema. Covering a broad range of perspectives, the chapters explore themes such as transnational flows, knowledge exchange and transfer, the cyclical and asymmetrical circulation of technology in a global context, as well as the accompanying transformation of color film aesthetics in the postwar decades.
Berzon, a psychotherapist who specializes in treating gay and lesbian people, presents the story of her journey from being a young girl confused about her sexuality and being treated in a mental hospital to her time as a professional psychotherapist. Along the way she tells of her friendship with Anais Nin, encounter with other famous people, and her battles to come to terms with her sexuality. Annotation copyrighted by Book News, Inc., Portland, OR