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Architecture of Counterrevolution
After over 120 years of French colonial rule in Algeria, the growing aspirations for independence culminated in the Algerian Revolution of 1954, which lasted until 1962. In order to combat the uprisings, the French civilian and military authorities reorganised the entire territory of the country, swiftly erected new infrastructures and pursued building policies that were ultimately intended to stabilize French dominance in Algeria.The study describes the architectural responses undertaken in the midst of this protracted and bloody armed conflict. It analyses their origins, evolutions and objectives, identifies the actors involved and reveals the underlying design methods.
GROSS IDEAS
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The Revolution Will be Stopped Halfway
Boumedienne, Niemeyer : When Militarism Meets Modernism / Samia Henni -- Concrete Spring / Jason Oddy -- The Revolution Will Be Stopped Halfway / Jason Oddy -- Documents / Oscar Niemeyer Foundation Archive.
Colonial Toxicity
"Between 1960 and 1966, the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs and conducted other nuclear experiments in the Algerian Sahara, whose natural resources were being extracted in the process. This secret nuclear weapons programme, whose archives are still classified, occurred during and after the Algerian Revolution, or the Algerian War of Independence (1954-62). This publication brings together nearly six hundred pages of materials documenting this violent history of France's nuclear bomb programme in the Algerian desert. Meticulously culled together by the architectural historian from across available, offered, contraband, and leaked sources, the book is a rich repository for all those concerned with histories of nuclear weapons and engaged at the intersections of spatial, social and environmental justice, as well as anticolonial archival practices."--e-flux announcements
Architectures of Colonialism
Fragen des kulturellen Erbes und unseres Umgangs damit sind nicht neutral. Ereignisse wie die Black Lives Matter-Bewegung und der Sturz von Denkmälern und Statuen zeigen, wie stark sich die koloniale Vergangenheit in unsere gebaute Umgebung eingeschrieben hat; zugleich prägt der Kolonialismus weiterhin kulturelles Gedächtnis und Geschichtsschreibung. Das fordert all jene, die sich mit der Geschichte von Architektur beschäftigen, dazu heraus, auch die eigene Positionalität zu reflektieren. Wessen Erbe sind die kolonialen Orte? Welche womöglich verdrängten Erinnerungen sind mit ihnen verknüpft? Wie lassen sich Archive und materielle Evidenz neu bewerten, um die Geschichten marginalisierter Personen und Gruppen sichtbar zu machen? Angesichts des globalen Rufs nach Entkolonialisierung bringt dieser Sammelband Archäologie, Architekturgeschichte und Heritage Studies zusammen, um historische Methoden zu erkunden und die Verflechtung unterschiedlicher Narrative an architektonischen Orten offenzulegen. Ein Beitrag zur aktuellen Debatte um Entkolonialisierung und Erinnerungskultur Eine interdisziplinäre Sicht auf Architektur und kulturelles Erbe Internationale Beiträger: innen
War Zones
After the Second World War and the onset of the Cold War, warfare took different forms, and war zones became gradually blurred and often undeclared. People, landscapes, and built environments came to be subjugated to the strains and constraints of these forms of war, serving both civil and military purposes of armed conflicts. The contributions to ?War Zones? investigate some of these implicit or explicit conditions, legacies, and impacts. From colonial or total war, asymmetric war or counterinsurgency, to barricaded or besieged cities, refugee camps or borderlines, to nuclear bunkers or ?war ghosts,? to the state of emergency and drone warfare, these texts disclose the spatial aspects, statuses, and formation processes of past and current war zones.
The Zone
In The Zone, Justinien Tribillon takes the reader on a tour of an eponymous Parisian hinterland. The site of dreams and nightmares, from Van Gogh's paintings to the cinematic violence of La Haine, the Zone, so often misun- derstood, is the key to understanding today's Paris, and even France itself. Originally the site of defensive walls, alongside which mushroomed makeshift housing, allotments, and dancehalls in the nineteenth century, the Zone has performed many functions and been a place of contention for two centuries. Dismantled in the 1920s, the fortifications were first replaced with gardens, stadia and homes. After the war came the Boulevard Priphrique, a ring road promising seamless ...
The Jewelers of the Ummah
A deeply personal exploration of family, empire, art and identity - from the author of Potential History Can we return to worlds destroyed by colonial violence? In a series of letters to her father, her great-grandmothers, and her children—and to thinkers such as Frantz Fanon and Hannah Arendt—Ariella Aïsha Azoulay examines the disruption of Jewish Muslim life in Algeria and broadly in the Maghreb and the Middle East by two colonial projects: French rule and the Zionist colonization of Palestine, which provoked the departure of Jews from these areas. Jewelry making was a profession that marked the Algerian Jews’ place in the world they shared in the ummah, the borderless community of ...
Playing Place
An essay collection exploring the board game’s relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place, Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, s...
