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All Faces but Mine
All Faces but Mine gathers selected poems from the acclaimed Palestinian poet Samih Al-Qasim (1934–2014). A contemporary of Mahmoud Darwish, Al-Qasim was a celebrated resistance poet whose passionate call for independence inspired a generation of poets. In this award-winning volume, poems are drawn from fourteen of the poet’s collections published over the last twenty years in addition to some of his final works. Lu’lu’a’s fluid translation captures both Al-Qasim’s innovative style and the emotional tenor of his poetry.
أشد من الماء حزناً
Presents a collection of bilingual poems that focus on the the historical and religious aspects of life of the Palestinians.
Brothers Apart
“Nassar brings to life the artistic prowess, rallying cries, and dashed dreams of the leading Palestinian litterateurs in Israel.” —Shira Robinson, author of Citizen Strangers When the state of Israel was established in 1948, not all Palestinians became refugees: some stayed behind and were soon granted citizenship. Those who remained, however, were relegated to second-class status in this new country, controlled by a military regime that restricted their movement and political expression. For two decades, Palestinian citizens of Israel were cut off from friends and relatives on the other side of the Green Line, as well as from the broader Arab world. Yet they were not passive in the f...
Victims of a Map
Mahmud Darwish, Samih al-Qasim and Adonis are amongst the leading poets in the Arab world today. Victims of a Map presents some of their finest work in translation, alongside the original Arabic, including thirteen poems by Darwish never before published – in English or Arabic – and a long work by Adonis written during the 1982 siege of Beirut, also published here for the first time.
ضحايا الخريطة
La jaquette indique : Ever since pre-Islamic days, poetry has been the mass art form of the Arabic language. In modern times, poets in the region have had a greater impact on popular culture than novelists, and there can be no doubt that Mahmud Darwish, Samih al-Qasim and Adonis are among the leading poets of the Arab world today. This collection presents fifteen newly translated poems by each poet ; it includes thirteen poems by Darwish never before published in book form, even in Arabic, and a long work by Adonis written during the 1982 siege of Beirut and never published at all. The poems have been translated by the accomplished and well-know translator of Arabic verse Abdullah al-Udhari. The Arabic text of each poem is printed on the facing pages to the translation, making this anthology a powerful learning tool for students of Arabic as well as a showcase of one of the most vibrant of all Arab arts.
Enemy of the Sun
A collection of Palestinian poetry originally published in 1970 that resonates with liberation and civil rights struggles around the world. This updated edition for the current generation of activists features new poems translated by Edmund Ghareeb, an internationally recognized Lebanese-American scholar, and a new foreword by Dr. Greg Thomas. In 1971, in the wake of George Jackson’s killing by San Quentin prison guards, a poem entitled “Enemy of the Sun” was found among ninety-nine books in the revolutionary’s cell. The handwritten poem came to be circulated in Black Panther newspapers under Jackson’s name, assumed to be a vestige of his more than a decade long incarceration. But ...
Encyclopedia of the Palestinians
Presents the history of modern Palestine and biographies of important Palestinians.
Tender Mint
In september 2011 verhuist Lynn Alleva Lilley (USA) met haar man en twee kinderen naar Amman, Jordanië. Ver weg van haar geboorteland en van haar vader, die ziek op dat moment is probeert ze een thuis te maken voor haar gezin in de onbekende stad. Daar gebruikt ze haar fotografie om dit, voor haar, vreemde land vertrouwd te maken. Gedurende drie jaar fotografeerde ze het Jordaanse volk, Syrische en Iraakse vluchtelingen, dieren in private dierentuinen of boerderijen, de vogeltrek en landschappen. Thema?s als misplaatsing, beknelling en adaptatie zijn sterk terug te vinden in dit boek. Haar vervreemdende beelden drukken tegenstrijdige emoties uit als verzorging en pijn, lijden en berusting, eenzaamheid en gezelschap, schoonheid en verval.
Silencing the Sea
Silencing the Sea follows Palestinian poets' debates about their craft as they traverse multiple and competing realities of secularism and religion, expulsion and occupation, art, politics, immortality, death, fame, and obscurity. Khaled Furani takes his reader down ancient roads and across military checkpoints to join the poets' worlds and engage with the rhythms of their lifelong journeys in Islamic and Arabic history, language, and verse. This excursion offers newfound understandings of how today's secular age goes far beyond doctrine, to inhabit our very senses, imbuing all that we see, hear, feel, and say. Poetry, the traditional repository of Arab history, has become the preeminent medium of Palestinian memory in exile. In probing poets' writings, this work investigates how struggles over poetic form can host larger struggles over authority, knowledge, language, and freedom. It reveals a very intimate and venerated world, entwining art, intellect, and politics, narrating previously untold stories of a highly stereotyped people.
Giving Voice to Stones
"A struggle between two memories" is how Palestinian poet Mahmud Darwish describes the conflict between Palestinians and Israelis. Within this struggle, the meanings of land and home have been challenged and questioned, so that even heaps of stones become points of contention. Are they proof of ancient Hebrew settlement, or rubble from a bulldozed Palestinian village? The memory of these stones, and of the land itself, is nurtured and maintained in Palestinian writing and other modes of expression, which are used to confront and counter Israeli images and rhetoric. This struggle provides a rich vein of thought about the nature of human experience of place and the political uses to which these experiences are put. In this book, Barbara McKean Parmenter explores the roots of Western and Zionist images of Palestine, then draws upon the work of Darwish, Ghassan Kanafani, and other writers to trace how Palestinians have represented their experience of home and exile since the First World War. This unique blending of cultural geography and literary analysis opens an unusual window on the struggle between these two peoples over a land that both divides them and brings them together.
