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The Midwife's Tale
In the tradition of Arianna Franklin and C. J. Sansom comes Samuel Thomas's remarkable debut, The Midwife's Tale It is 1644, and Parliament's armies have risen against the King and laid siege to the city of York. Even as the city suffers at the rebels' hands, midwife Bridget Hodgson becomes embroiled in a different sort of rebellion. One of Bridget's friends, Esther Cooper, has been convicted of murdering her husband and sentenced to be burnt alive. Convinced that her friend is innocent, Bridget sets out to find the real killer. Bridget joins forces with Martha Hawkins, a servant who's far more skilled with a knife than any respectable woman ought to be. To save Esther from the stake, they must dodge rebel artillery, confront a murderous figure from Martha's past, and capture a brutal killer who will stop at nothing to cover his tracks. The investigation takes Bridget and Martha from the homes of the city's most powerful families to the alleyways of its poorest neighborhoods. As they delve into the life of Esther's murdered husband, they discover that his ostentatious Puritanism hid a deeply sinister secret life, and that far too often tyranny and treason go hand in hand.
Behind Bars with God
None
Pynchon and the Political
Thomas Pynchon's writing has been widely regarded as an exemplary form of postmodern fiction. It is characterized as genre-defying and enigmatic, as a series of complex and esoteric language games. This study attempts to demonstrate, however, that an oblique yet compelling sense of the "political" Pynchon disappers all too easily under the mantle of postmodernity. Innovative and unsettling discussions of freedom, war, labor, poverty, community, democracy, and totalitarianism are passed over in favor of constrictive scientific metaphors and theoretical play. Against this current, this study analyzes Pynchon's fiction in terms of its radical dimension, showing how it points to new directions in the relationship between the political and the aesthetic.
Castles, Customs, and Kings
An anthology of essays from the second year of the English Historical Fiction Authors blog, this book transports the reader across the centuries from prehistoric to twentieth century Britain. Nearly fifty different authors share the stories, incidents, and insights discovered while doing research for their own historical novels. From medieval law and literature to Tudor queens and courtiers, from Stuart royals and rebels to Regency soldiers and social calls, experience the panorama of Britain's yesteryear. Explore the history behind the fiction, and discover the true tales surrounding Britain's castles, customs, and kings.
Education and Society in Modern Germany
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
A Book of Ghosts
Rhyming text and die-cut pages present a ghost at the window, a ghost in the water tap, and ghosts everywhere you look.
The Existential Pleasures of Engineering
Humans have always sought to change their environment - building houses, monuments, temples and roads. In the process, they have remade the fabric of the world into newly functional objects that are also works of art to be admired. Samuel Florman explores how engineers think and feel about their profession in The Existential Pleasures of Engineering. Florman celebrates engineering as not only crucial and fundamental but also vital and alive; he views it as a response to some of our deepest impulses, an endeavour rich in spiritual and sensual rewards. An eloquent, witty and perceptive celebration of our deepest creative impulses, The Existential Pleasures of Engineering is an informative account of the modern-day engineer's experience.
