You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume presents a study of the changing images and differing ways that the life of English poet and playwright William Shakespeare (1564-1616) has been interpreted throughout history. The author takes readers on a tour of the countless myths and legends which have arisen to explain the great dramatist's life and work, bringing the story right up to 1989. He reconstructs as much of the elusive author's life as possible, considering his family history, his economic standing, and his reputation with his peers; the Shakespeare who emerges may not always be the familiar one.
An abridged edition that will remain the standard biography for many years.
"The present work furnishes chapters on Shakespeare's stationers (with the Register entries) and Shakespeare forgeries. Along with other Shakespeare signatures--authentic, spurious, or in varing degrees questionable--and the three pages of Sir Thomas More in hand D, the Archaionomia item finds a place in a chapter on Shakespeare's handwriting."--page xi.
Throws light on the problem of what Shakespeare was doing between leaving school and appearing as an actor and playwright in London.
DISPLAYS RARE BOOKS, MANUSCRIPTS, AND OTHER MEMORABILIA ILLUMINATING SHAKESPEARE'S CAREER AND IMPACT.
Internal Evidence and Elizabethan Dramatic Authorship provides one the earliest attempts to write a theoretical method for evidence within plays to help determine authorship or to help distinguish the work of one author from another. Samuel Schoenbaum's study remains valuable, for the attempt to attribute unattributed plays to one or another author remains an ongoing conversation within early modern scholarship today.
Elizabethan Theater is a collection of essays offered in celebration of the long career of Samuel Schoenbaum. Throughout his career as biographer, bibliographer, historian, critic, and editor of scholarly journals, he has greatly enriched our appreciation of Shakespeare and his fellows. These essays celebrate the many ways in which he has enhanced our understanding through his skill in balancing historical contexts with a recognition and respect for the importance of individual authorship. Distinguished scholars from many countries, representing many points of view, have chosen to honor Schoenbaum by contributing essays that explore the four overlapping areas with which his own research has mainly been concerned: biographical scholarship, the concept of authorship, the hand of the author perceived within the play, and the multiple historical contexts that helped to determine how Elizabethan plays were written and received.
This book is one the earliest attempts to write a theoretical method for evidence within plays to help determine authorship or to help distinguish the work of one author from another. The attempt to attribute unattributed plays to one or another author remains an ongoing conversation within early modern scholarship today.
Originally published in 1991. Collecting together commentary and critique on ‘the Scottish play’, this book showcases varied discussions of the text and the theatrical productions. From Samuel Johnson’s brief 1765 comment to the editor’s own piece on the Porter’s scene, the texts included here are popular important accounts of thoughts and scholarship on the play over the years. Some pieces address the most famous early Lady Macbeth – Mrs Siddons, while others look at a theme or specific issue such as Lady Macbeth’s children. This is a great sample of the voluminous body of work looking at the tragedy, considering its images, symbols, meanings and its challenges for the stage.
Contains the material gathered by the author's investigation into the identity of the real Shakespeare--Edward de Vere, the 17th Earl of Oxford.