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Le magasin de l'univers - The Dutch Republic as the Centre of the European Book Trade
During the seventeenth and eighteenth centuries the Dutch Republic performed a crucial function as the cultural and intellectual clearinghouse of Europe. It was partly through the existence of a well-established and highly competitive publishing industry and book trade that the Dutch were able to play such a prominent role in the international transmission of knowledge and ideas. Yet our understanding of the Dutch involvement in the European book trade still is limited and important questions remain to be answered. How was Dutch publishing and bookselling for the international market organised? What was the nature of the books that were exchanged? In order to stimulate research in this field an international colloquium was held in 1990 at the Netherlands Institute for Advanced Study in the Humanities and Social Sciences (NIAS), under the title "'Le Magasin de l'Univers.' The Dutch Republic as the Centre of the European Book Trade". This volume brings together the twenty-two contributions presented at the conference by historians of the book from England, France, Switzerland, the United States, Germany, and the Netherlands.
Christian-Muslim Relations. A Bibliographical History. Volume 6 Western Europe (1500-1600)
Christian-Muslim Relations. A Bibliographical History, volume 6 (CMR 6), covering the years 1500-1600, is a continuing volume in a history of relations between followers of the two faiths as it is recorded in their written works. Together with introductory essays, it comprises detailed entries on all the works known from this century. This volume traces the attitudes of Western Europeans to Islam, particularly in light of continuing Ottoman expansion, and early despatches sent from Portuguese colonies around the Indian Ocean. The result of collaboration between numerous leading scholars, CMR 6, along with the other volumes in this series, is intended as a fundamental tool for research in Christian-Muslim relations. Section editors: John Azumah, Clinton Bennett, Luis Bernabé Pons, Lejla Demiri, Martha Frederiks, John-Paul Ghobrial, David Grafton Stanisław Grodź, Alan Guenther, Abdulkadir Hashim, Şevket Küçükhüseyin, Andrew Newman, Gordon Nickel Claire Norton, Douglas Pratt, Peter Riddell, Umar Ryad, Davide Tacchini, Serge Traore, Carsten Walbiner
Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van ...
Humour in Dutch Culture of the Golden Age
The humorous side of Dutch culture of the seventeenth century is obscured by a change that took place around 1670. Religious treatises and books of manners warning against laughter contributed to a new image, that of the humourless, Calvinist Dutch. Mainly based on a manuscript with some two thousand jokes, the lost laughter of the Golden Age is reconstructed and analyzed. Most jokes are crude and obscene, and they throw new light on attitudes towards sexuality, religion and other aspects of life.
