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European Art of the Fourteenth Century
Fourteenth-century Europe was ravaged by famine, war, and, most devastatingly, the Black Plague. These widespread crises inspired a mystical religiosity, which emphasized both ecstatic joy and extreme suffering, producing emotionally charged and often graphic depictions of the Crucifixion and the martyrdoms of the saints. This third volume in the Art through the Centuries series highlights the most noteworthy concepts, geographic centers, and artists of this turbulent century. Important facts about the subjects under discussion are summarized in the margins of each entry, and salient features of the illustrated art works are identified and discussed.
Consumer Choice in Historical Archaeology
Historical archaeology has made great strides during the last two decades. Early archaeological reports were dominated by descriptions of features and artifacts, while research on artifacts was concentrated on studies of topology, technology, and chronology. Site reports from the 1960s and 1970s commonly expressed faith in the potential artifacts had for aiding in the identifying socioeconomic status differences and for understanding the relationships be tween the social classes in terms of their material culture. An emphasis was placed on the presence or absence of porcelain or teaware as an indication of social status. These were typical features in site reports written just a few years ag...
2005
Annually published since 1930, the International Bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The IBOHS is thus currently the only continuous bibliography of its kind covering such a broad period of time, spectrum of subjects and geographical range. The works are arranged systematically according to period, region or historical discipline, and alphabetically according to authors names or, in the case of anonymous works, by the characteristic main title word. The bibliography contains a geographical index and indexes of persons and authors.
The Black Death and The End of the Medieval Society
Medieval feudal society was built on a sociopolitical and economic system guided by feudalism and the transcendental views of Christianity. Both of these institutions were put to the test during the Black Death epidemic, the deadliest disaster humankind has suffered, given the population of the time. Without a doubt, this event revolutionized medieval society in every way and accelerated a process of change that had been brewing for centuries.But the impact of the plague went well beyond loss of life. It fatally wounded the spiritual, social and economic foundations of the medieval world, to such an extent that one could shift the traditional timeline and mark 1347, the year the plague began...
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The Power of Images
Where can the danger be lurking? Two soldiers are huddled together, one gazing up at the sky, the other darting a sideward glance. They derive a tacit reassurance from their weapons, but they are both in their different ways alone and scared. They were painted by Ambrogio Lorenzetti in the Palazzo Pubblico in Siena, and they seem symptomatic of a state of emergency: the year was 1338, and the spectre of the signoria, of rule by one man, was abroad in the city, undermining the very idea of the common good. In this book, distinguished historian Patrick Boucheron uncovers the rich social and political dimensions of the iconic ‘Fresco of Good Government’. He guides the reader through Lorenze...
Archeologia dell'Architettura, XIII, 2008 - Villard de Honnecourt, l'architettura nel Medioevo e i modi di costruire, Atti del seminario (Genova 2004), a cura di Anna Boato
Il periodico contiene gli atti del seminario ‘Villar de Honnecourt, l’architettura nel Medioevo e i modi di costruire; a questi si aggiungono una sezione dedicata ad aspetti teorico-metodologici (con due contributi sul tema del rischio sismico legato al patrimonio culturale e un contributo sullo studio delle fornaci da calce) e una sezione dedicata ai casi di studio (con un contributo dedicato alle strutture fortificate nella valle del Chienti tra XIII e XV secolo e un contributo dedicato alle architetture del territorio di Fenis in Valle d’Aosta).
Jesus and the Making of the Modern Mind, 1380-1520
For his fifteenth-century followers, Jesus was everywhere – from baptism to bloodcults to bowling. This sweeping and unconventional investigation looks at Jesus across one hundred forty years of social, cultural, and intellectual history. Mystics married him, Renaissance artists painted him in three dimensions, Muslim poets praised his life-giving breath, and Christopher (“Christ-bearing”) Columbus brought the symbol of his cross to the Americas. Beyond the European periphery, this global study follows Jesus across – and sometimes between – religious boundaries, from Greenland to Kongo to China. Amidst this diversity, Jesus and the Making of the Modern Mind, 1380-1520 offers readers sympathetic and immersive insight into the religious realities of its subjects. To this end, this book identifies two perspectives: one uncovers hidden meanings and unexpected connections, while the other restricts Jesus to the space and time of human history. Minds that believed in Jesus, and those that opposed him, made use of both perspectives to make sense of their worlds. This book includes over one hundred images, tables and audio clips.
