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Departures and Returns
Catalog contains writing and prose by Sandra Brownlee regarding her art-making practice, relationship to home, work, and nature. Visuals include photographs of Brownlee's weavings, sketchbooks, and inspiration. Catalog features an essay by exhibition curator Susan MacAlpine Foshay.
Art Textiles of the World
A lavishly illustrated survey of some of Canada's leading artists working across the spectrum of contemporary textile art. 192 pages, over 250 colour photos Introductory essays by Alan Elder, Sandra Alfoldy, PhD, JR Carpenter, Lisa Vinebaum, foreword by the Editor. Featured artists: Jennifer Angus, Ingrid Bachmann, Louise Lemieux Berube, Sandra Brownlee, Dorothy Caldwell, Lyn Carter, Kai Chan, Barbara Hunt, Barbara Layne, Marcel Marois, Mindy Yan Miller, Lesley Richmond, Ruth Scheuing, Joanne Soroka, Joanna Staniszkis, Patrick Traer, Barbara Todd, Laura Vickerson, Yvonne Wakabayashi, Susan Warner Keene,
The Last Art College
The long-awaited history of the art college that became an unlikely epicenter of the art world in the 1960s and 1970s. How did a small art college in Nova Scotia become the epicenter of art education—and to a large extent of the postmimimalist and conceptual art world itself—in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would inc...
Philadelphia Murals and the Stories They Tell
In June 1984, Jane Golden, a young muralist from Margate, New Jersey, headed up a project that was originally planned as a six-week youth program in the fledgling Philadelphia Anti-Graffiti Network. This small exercise in fighting graffiti grew into the most vibrant public art project in the United States. Led by Golden and dozens of artists, neighborhood residents, and volunteers, the Philadelphia Mural Arts Program has adorned the city with over two thousand murals. In the process, this vibrant art, painted mostly on city walls, helped to change the look of the city, creating an enduring legacy in all of the neighborhoods in which the murals were added. In this lavishly illustrated chronic...
Sandra McGregor
Principally a portrait painter, Sandra found a small studio in Kloof Street and began to paint the people and places in District Six. For a young unaccompanied yet headstrong white woman, this was considered a highly dangerous if not foolhardy pastime, but the community -- skollies included -- welcomed and protected her -- calling her 'onse artist'. In 1966, under the Group Areas Act of 1950, District Six was declared a white area by the Nationalist government. Between 1966 and 1982 approximately 60,000 people were evicted from District Six. Communities were broken up, families separated and immense heartbreak suffered -- in particular by the elderly inhabitants of District Six, many of whom...
Artbibliographies Modern
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Sandra Blow
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Sandra Blow
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Hot House
Published in conjunction with the exhibition of the same title presented at Cranbrook Art Museum June 17 through October 14, 2007.
