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A Flood of Sweet Fire
A Flood Of Sweet Fir by Sandra Marton released on Jan 25, 1989 is available now for purchase.
The Labyrinth Path to Light and Peace
Would you like to more happily and peacefully resolve those decisions and confront those conflicts on life's Labyrinth Path? To heal yourself physically, and psychologically-- and spiritually, to relate more clearly to whatever higher power you believe in? Then this book of art and poetry can inspire you to "Find yourself in a Labyrinth." While you can "Lose yourself in a Maze," with its many paths, false starts and dead ends, labyrinths have a single, meandering path to the center and back. Many people find that labyrinth walking meditation slows the breathing, focuses the mind and induces a peace state of being. You are invited to follow the Labyrinth Path through the Darkness to the Light or (Enlightenment) of the Peace Within that leads to the Peace among people, animals, nature and the universe. Welcome to the Labyrinth Renaissance-the rediscovery of this ancient design that relates to peoples of all ages, cultures, and beliefs.
Crafting Identity
By contrasting American experience with the Canadian context, which includes a unique Quebec identity and a Native dimension, Sandra Alfoldy argues that the development of organizations, advanced education for craftspeople, and exhibition and promotional opportunities have contributed to the distinct evolution of professional craft in Canada over the past forty years. Alfoldy focuses on 1964-74 and the debates over distinctions between professional, self-taught, and amateur craftspeople and between one-of-a-kind and traditional craft objects. She deals extensively with key people and events, including American philanthropist Aileen Osborn Webb and Canadian philanthropist Joan Chalmers, the foundation of the World Crafts Council (1964) and the Canadian Crafts Council (1974), the Canadian Fine Crafts exhibition at Expo 67, and the In Praise of Hands exhibition of 1974. Drawing upon a wealth of previously unexploited materials, this richly documented survey includes descriptions and illustrations of significant works and identifies the challenges that lie ahead for professional crafts in Canada.
Exploring Contemporary Craft
The craft of craft, the art of craft – here in Canada we're just starting to really talk about these things. In March 1999, Jean Johnson, who runs Toronto's Craft Studio at Harbourfront Centre, organized a wildly successful symposium on the state of craft in Canada. Curators, writers, critics, academics and craftspeople spoke about all aspects of craft: history, practice, theory, criticism. Taken together, these papers create a clear picture of the vibrant crafts scene in Canada. The symposium was a groundbreaking event, a first in Canada, offering to the crafts community a new depth of consideration. The book, too, is a Canadian first, and it will allow a dialogue about the academic side of the craft movement to continue. Each of the book's three sections, History, Theory and Critical Writing, contains a keynote paper and essays by experts in each field, including Mark Kingwell writing 'On Style,' Blake Gopnik on 'Reviewing Craft Exhibitions for the Art Pages,' and Robin Metcalfe addressing 'Teacup Readings: Contextualizing Craft in the Art Gallery.'
Making and metaphor
This multidisciplinary collection of eighteen essays was presented at the conference of the same name. It explores the complex and significant role of contemporary craft in society. The authors show how linguistic and feminist studies are tools for understanding craft. Historical analysis highlights how education, architecture, and industrial design have influenced craft products and our perceptions of them. Social and cultural anthropology show how craft expresses backgrounds of its makers. And ethnology and museum studies reveal the assumptions used in collecting, identifying and exhibiting craft.
Replenish
"Nothing is more important to life than water, and no one knows water better than Sandra Postel. Replenish is a wise, sobering, but ultimately hopeful book." --Elizabeth Kolbert "Remarkable." --New York Times Book Review "Clear-eyed treatise...Postel makes her case eloquently." --Booklist, starred review "An informative, purposeful argument." --Kirkus We spend billions of dollars on irrigation, dams, sanitation plants, and other feats of engineering to control water for our own prosperity. What if the answer was not control, but replenishment? Sandra Postel takes readers around the world to explore water projects that work with, rather than against, nature's rhythms. Forest rehabilitation is safeguarding drinking water, farmers are planting cover crops to reduce polluted runoff, and "sponge cities" are capturing rainwater to curb urban flooding. Postel argues that efforts like these will be essential as we adjust to a hotter, wilder climate. Will we continue to fight the water cycle, endangering ourselves and the planet, or recognize our place in it and take advantage of the inherent services nature offers?
Textbook of Von Willebrand Disease
TEXTBOOK OF VON WILLEBRAND DISEASE Comprehensive resource summarizing recent research on von Willebrand disease, showing clinicians how to optimize management of patients with this disorder The newly revised and updated second edition of Textbook of von Willebrand Disease: Basic and Clinical Aspects, 2nd edition describes the important and complex role of von Willebrand factor (VWF) in hemostasis and thrombosis, covering not only the current understanding of its molecular biology, but also the association between genetic variants of VWF and different von Willebrand disease (VWD) phenotypes. The text also reviews the important area of the obstetric and gynecological manifestations of VWD, as ...
Federal Register
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In Good Hands
The Canadian Handicrafts Guild broadened the definition of art and the artist in Canada. Linking decorative arts with home arts and handicrafts, the Guild consistently showed them together at annual exhibitions at the art gallery in Montreal and formed a permanent collection documenting old and contemporary crafts. The Guild women combined creativity and philanthropy, voluntarism and an entrepreneurial spirit, education and concern with quality, in a movement that provided income and recognition to craftspeople and a craft legacy to Canada. In Good Hands is alive with the interplay between art and social history, and the issues this dialogue raised at the time and those we bring to it now constantly overlap. It deals with noblesse oblige and the era's patronizing attitude to cultural difference, but shows how the Guild consciously fostered an inclusive national feeling by exhibiting and selling crafts of all Canadians on an equal footing. It also draws a much broader perspective of women's roles in shaping our culture than has been the norm in Canadian art history.
Mississippi River Tragedies
Read a free excerpt here! American engineers have done astounding things to bend the Mississippi River to their will: forcing one of its tributaries to flow uphill, transforming over a thousand miles of roiling currents into a placid staircase of water, and wresting the lower half of the river apart from its floodplain. American law has aided and abetted these feats. But despite our best efforts, so-called “natural disasters” continue to strike the Mississippi basin, as raging floodwaters decimate waterfront communities and abandoned towns literally crumble into the Gulf of Mexico. In some places, only the tombstones remain, leaning at odd angles as the underlying soil erodes away. Missi...
