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Slave Owners of West Africa
In this groundbreaking book, Sandra E. Greene explores the lives of three prominent West African slave owners during the age of abolition. These first-published biographies reveal personal and political accomplishments and concerns, economic interests, religious beliefs, and responses to colonial rule in an attempt to understand why the subjects reacted to the demise of slavery as they did. Greene emphasizes the notion that the decisions made by these individuals were deeply influenced by their personalities, desires to protect their economic and social status, and their insecurities and sympathies for wives, friends, and other associates. Knowing why these individuals and so many others in West Africa made the decisions they did, Greene contends, is critical to understanding how and why the institution of indigenous slavery continues to influence social relations in West Africa to this day.
Sacred Sites and the Colonial Encounter
"Greene gives the reader a vivid sense of the Anlo encounter with western thought and Christian beliefs . . . and the resulting erasures, transferences, adaptations, and alterations in their perceptions of place, space, and the body." —Emmanuel Akyeampong Sandra E. Greene reconstructs a vivid and convincing portrait of the human and physical environment of the 19th-century Anlo-Ewe people of Ghana and brings history and memory into contemporary context. Drawing on her extensive fieldwork, early European accounts, and missionary archives and publications, Greene shows how ideas from outside forced sacred and spiritual meanings associated with particular bodies of water, burial sites, sacred towns, and the human body itself to change in favor of more scientific and regulatory views. Anlo responses to these colonial ideas involved considerable resistance, and, over time, the Anlo began to attribute selective, varied, and often contradictory meanings to the body and the spaces they inhabited. Despite these multiple meanings, Greene shows that the Anlo were successful in forging a consensus on how to manage their identity, environment, and community.
Appalachia
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Female Voices from an Ewe Dance-drumming Community in Ghana
Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and perfo...
Cultural Heritage and Slavery
In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly i...
The Precolonial State in West Africa
This volume examines political life in the Kingdom of Dahomey, located in the Republic of Bénin.
Reconciled to Reconcile
In the words of John Paul II, «A faith which does not become culture is a faith that has not been received, not thoroughly thought (through), nor fully lived out». It is for this reason that inculturation hermeneutics has become a useful reflective tool for many African students of Theology. In this work, the author argues that the concept of salvation in evangelical Christian thought as postulated in the works of the French Reformer John Calvin and that of African Traditional Religions do not connote the same idea nor lead to the same goals. In spite of the basic differences, he states that symbols, metaphors and some practices from the traditional religions of Africa can be employed as hermeneutical tools for the explanation of concepts of the Christian faith. The author therefore concludes that the Anlo-Ewe traditional religious practice of nugbidodo-ritual reconciliation best explains Christian salvation as man's reconciliation with God and constitutes a basis for the healing, deliverance, and a socio-economic advancement of the individual and the entire community.
Imagining Vernacular Histories
Imagining Vernacular Histories is centered on the idea of engaging with indigenous African cosmologies that signal at pluriversality. In conversation with Toyin Falola’s reading of the African pluriverse and his exploration of the idea of “ritual archives,” the contributors to this volume rethink the historical archive in search of vernacular histories. Simultaneously, they recognize the contributions from various other disciplines in pluralizing the term vernacular. The book brings together a wide range of topics, such as reflections on African historiography; the relationship between memory, history and literature; gender relations; and the construction of historical archives. While ...
The Rise of African Slavery in the Americas
This book provides a fresh interpretation of the development of the English Atlantic slave system.
