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Affordable housing is currently in short supply in many European cities. Persuasive models and outlooks for the future are needed if demand is to be met. Yet how can costs be reduced without restricting the quality of housing? This book documents current outstanding housing developments from all over Europe, which are distinguished by their quality but also by the fact that they were realised with reduced construction costs. Design solutions, deliberate material selection, specific building processes and explicit planning requirements all contributed to this result. The projects are documented in depth with photos, texts, floor plans and detailed drawings. The introduction includes three essays that examine the topic from different perspectives.
This monograph documents the sophisticated solutions of 20 international projects realised by David Chipperfield Architects London, Berlin, Milan and Shanghai. The selection from the firm's extensive portfolio presents different building typologies and construction tasks, be it new buildings, restoration, extensions or interiors. A view behind the scenes retells the challenges of major architectural milestones such as the Neues Museum in Berlin and smaller projects like the Valentino Flagship Stores in Rome and New York - in pictures, descriptions and interviews as well as plans. The focus here is on the design and construction details of the individual projects: they bear the mark of David Chipperfield Architects' unmistakable approach
"Teacher-centred learning in front of a blackboard has served its time. Instead, many schools now teach in open learning landscapes with movement areas and more private spaces. Accordingly, the planning of school buildings faces the challenge of creating flexible room structures and new functional areas. In addition, environmental comfort and lighting as well as questions of energy efficiency and technology have become decisive. This book presents 20 forward-thinking school buildings. Specifically, participatory planning methods and innovative floor plans as well as sustainable design details are documented. All projects aim to positively influence everyday school life and to provide scope for new educational concepts."--Page 4 of cover.
Encompassing furniture, tableware and exhibition designs, the practice of German designer Stefan Diez (born 1971) is characterized by innovation through technical expertise and a passion for experimentation. Before founding his own design studio in 2003, Diez worked for Richard Sapper and Konstantin Grcic since then, he has worked in various fields of design, from furniture, tableware, bags and accessories to industrial design, as well as exhibition design for companies such as Authentics, Bree, HAY, Moroso, Rosenthal, Thonet, Wilkhahn and others. Full House, a comprehensive compilation of his multifaceted body of work, portrays his studio's methodology and development processes and delivers first-hand insight into the state of industrial design today, complemented by essays and interviews exploring some of the issues in the field.
The long-anticipated monograph on OMA New York by Shohei Shigematsu and Jason Long is sure to be the design and architecture book of the season. Presenting more than 20 radical architectural projects from a new generation of the firm, this mammoth volume is the first compendium by OMA, since Content and Rem Koolhaas’s S, M, L, XL. Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as “a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.” OMA New York, ha...
The book presents current sports buildings, which stand out for the quality of their construction, their integration into the urban context, and their objectives. Sport today means lifestyle and fun and is associated with joining an association and social inclusion as well as with individualization and health awareness. The spectrum of examples from all over Europe ranges from school gyms to urban open spaces that can be used by anyone at any time. The visibility and presence of spatial forms for activities such as skateboarding, jogging or fitness today are radically different from the gyms of the past, providing rich and aesthetic contributions to their surroundings.
One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design and new fabrication methods in architecture and general design culture, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. They range from the Ravioli lounge chair for Vitra to the Embryological House, a pre-fab housing type that takes advantage of new manufacturing technologies to produce customized houses adaptable to local conditions. Included are contributions from theorists, architects, and artists, and futurists such as Sylvia Lavin, Ben van Berkel, and Caroline Bos of UN Studio, J.G. Ballard, and Tom Friedman, among others. Greg Lynn FORM offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking.
This book addresses the built environment through the lens of environmental architecture, and in a holistic manner. It moves gradually from psychophysiology and thinking-doing-feeling modalities, through environmental criteria to environmental modulation, concluding with a debate around mitigation and adaptation. Much use is made of re-interpreting past quotations seen as relevant for environmental architecture. No definitive conclusions are reached, but rather broad discursive messages are offered. The text will have lasting luminance for new generations involved with the built environment.
Reyner Banham and the Paradoxes of High Tech reassesses one of the most influential voices in twentieth-century architectural history through a detailed examination of Banham’s writing on High Tech architecture and its immediate antecedents. Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the “clip-on” approach developed by Cedric Price and the Archigram group, his advocacy of “well-tempered environments” fostered by integrated mechanical and electrical systems, and his late-career assessments of High Tech practitioners such as Norman Foster, Richard Rogers, and Renzo Piano. Gannon devotes significant attention to Banham’s late work, including fresh archival materials related to Making Architecture: The Paradoxes of High Tech, the manuscript he left unfinished at his death in 1988. For the first time, readers will have access to Banham’s previously unpublished draft introduction to that book.
Departing from the simple question Why do we heat and cool buildings with air?, this book focuses on the technique of thermally active surfaces. This technique uses water in building surfaces to heat and cool bodies - a method that is at once more efficient, comfortable, and healthy. This technique thus imbues the fabric of the building with a more poignant role: its structure is also its primary heating and cooling system. In doing so, this approach triggers a cascading set of possibilities for how well buildings are built, how well they perform, and how long they will last: pointing the way toward multiple forms of sustainability. The first section of the book contrasts the parallel histor...