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This book situates the picturebook genre within the widespread international phenomenon of crossover literature, examining an international corpus of picturebooks — including artists’ books, wordless picturebooks, and celebrity picturebooks — that appeal to readers of all ages. Focusing on contemporary picturebooks, Sandra Beckett shows that the picturebook has traditionally been seen as a children’s genre, but in the eyes of many authors, illustrators, and publishers, it is a narrative form that can address any and all age groups. Innovative graphics and formats as well as the creative, often complex dialogue between text and image provide multiple levels of meaning and invite reade...
In Crossover Fiction, Sandra L. Beckett explores the global trend of crossover literature and explains how it is transforming literary canons, concepts of readership, the status of authors, the publishing industry, and bookselling practices. This study will have significant relevance across disciplines, as scholars in literary studies, media and cultural studies, visual arts, education, psychology, and sociology examine the increasingly blurred borderlines between adults and young people in contemporary society, notably with regard to their consumption of popular culture.
Sandra Beckett's book explores the contemporary retellingof the Red Riding Hood tale in Western children's literature.
Over the past fifty years, children's literature has freed itself of many traditional restrictions and become a field of exciting innovations in both form and content. The new status of children's literature has been accompanied by an unprecedented growth in research on children's literature internationally. This volume explores the many changes that have taken place in the past half-century in children's literature, showing how those changes reflect our rapidly-changing world and attempt to prepare children for the new millennium. Among the issues discussed are the shifting boundaries between children's literature and adult literature, postmodern trends, paradigm shifts, national literatures, and the reconceptualization of the past.
Transcending Boundaries: Writing for a Dual Audience of Children and Adults is a collection of essays on twentieth-century authors who cross the borders between adult and children's literature and appeal to both audiences. This collection of fourteen essays by scholars from eight countries constitutes the first book devoted to the art of crosswriting the child and adult in twentieth-century international literature. Sandra Beckett explores the multifaceted nature of crossover literature and the diverse ways in which writers cross the borders to address a dual readership of children and adults. It considers classics such as Alice's Adventures in Wonderland and Pinocchio, with particular emphasis on post-World War II literature. The essays in Transcending Boundaries clearly suggest that crossover literature is a major, widespread trend that appears to be sharply on the rise.
49 original essays on the essential terms and concepts in children's literature
All too often, attention is paid only to those children's novels that were written in English, with non-English-language works being passed over and neglected. Beyond Babar: The European Tradition in Children's Literature examines eleven of the most celebrated European children's novels in substantial, critical essays written by well-known international scholars. This approach provides a comprehensive discussion of the selected works from a variety of theoretical perspectives. Each essay offers a critical introduction to the text that can serve as a point of departure for literary scholars, professors of children's literature, primary and secondary school teachers, and librarians who are int...
This unique anthology contributes to cross-cultural exchange and facilitates comparative study of the tale for readers interested in fairy-tale studies, cultural studies, and literary history.
First Published in 2002. Transcending Boundaries is an autobiography tracing the multifaceted and wideranging career of choreographer. director, performer and professor of dance Donald McKayle. His chance meeting with the legendary Bill Robinson, who obligingly responded to the entreaties of an adoring nine-year-old and executed an impromptu version of his infectious stair tap-dance, and an electric encounter as a teenager sitting in a darkened theatre witnessing a performance by concert artist Pearl Primus, are key early experiences which bring about McKayle's life in dance, theatre, film, television, entertainment and education. He learned at the feet of the masters, trained and developed some of the profession's top practitioners, and worked in theatres and studios around the world -on Broadway, in Hollywood -creating a repertoire of acclaimed masterworks. He experienced failure, success, love, marriage and family. Readers will find his autobiography a revelation in an ongoing and still evolving story.
Readers interested in the visual arts, in translation studies, or in popular culture, as well as a wider audience wishing to discover the tale anew will delight in this collection.