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WHO IS AN ARTIST?
While the first edition of this book has printed 3000 copies in 2002 and has been sent to all media members, journalists and leading figures of art circles, it has been neglected by many except of a weekly magazine. We have stated that we stood by our theories in our book; this stand did not changed even this day. The Turkish part and charts has been delivered as an add on to our 2015 book “Türkiye’de Resim Sanatı”. Now with the second edition of the Turkish-English original writing we are representing the state of our painting between 1850-2000 in 2002 viewpoint. We also would like to state that in order to truly present the state of the painting after 2000 we need at least 100-150 years; therefor we believe that a hasty action should not be taken.
Democratization and the Jews
Examining the political and religious discourse on the "Jewish Question," Anthony D. Kauders shows how men and women in the immediate post-war era employed anti-Semitic images from the Weimar Republic in order to distance themselves from the murderous policies of the Nazi regime.
The Throne of the Great Mogul in Dresden
A masterful deciphering of an extraordinary art object, illuminating some of the biggest questions of the eighteenth century The Throne of the Great Mogul (1701-8) is a unique work of European decorative art: an intricate miniature of the court of the Mughal emperor Aurangzeb depicted during the emperor's birthday celebrations. It was created by the jeweler Johann Melchior Dinglinger in Dresden and purchased by the Saxon prince Augustus the Strong for an enormous sum. Constructed like a theatrical set made of gold, silver, thousands of gemstones, and amazing enamel work, it consists of 164 pieces that together tell a detailed story. Why did Dinglinger invest so much time and effort in making...
People of Virtue
Much attention has been given to the killing fields' of Cambodia, Far less to how the country can recover and heal itself after such an experience. Crucial to this process has been the formation of a new moral order in Cambodia and hence the revival of religion in the country. Certainly the regeneration of the ritual life of a community may offer ways for people to formulate and relate to their collective stories through symbolism that recalls a shared cultural origin. However, this process requires that the representatives of religion and of morality do have credibility and moral authority, something that may be called into question by their past and present involvement in hegemonic political and secular affairs.
Swiss Graphic Design
Originally published: London: Laurence King Pub., 2006.
Schamanismus als Herausforderung
Einmal im Jahr veranstaltet das Evangelische Tagungs- und Bildungszentrum Bad Alexandersbad in Kooperation mit dem Landeskirchlichen Beauftragten für religiöse und geistige Strömungen der Evangelisch-Lutherischen Kirche in Bayern ein Symposium zu einem Thema aus der Weltanschauungsarbeit. Das Thema für das Symposium 2015 lautete „Schamanismus als Herausforderung“. Gefragt wurde: Was ist das, was hierzulande als „Schamanismus“ angeboten wird? Mit welcher Wirklichkeit haben wir Menschen es dabei zu tun? Welche Chancen und Gefahren sind zu erkennen? Wie können Pfarrerinnen und Pfarrer mit diesem Phänomen umgehen? Die in dieser Dokumentation gesammelten Beiträge stammen von Anett C. Oelschlägel, Gerhard Mayer, Bernd Rieken, Haringke Fugmann, Heiko Grünwedel und Klaus Raschzok.
Memoria e materia dell'opera d'arte
Il volume, suddiviso in tre percorsi di lettura, presenta gli Atti delle giornate di studio del dottorato di ricerca dell’Università degli Studi della Tuscia in Memoria e materia dell’opera d’arte e raccoglie i contributi di Simona Antonacci, Elisa Anzellotti, Francesca Anzelmo, Federica Bertini, Teresa Lucia Cicciarella, Barbara Drudi, Giorgia Fiorini, Lea Mattarella, Emanuela Morganti, Chiara Paniccia, Jessica Perna, Costanza Rapone, Luca Salvatelli, Celeste Stefania, Valentina Vacca. “Un panorama ricco e multiforme, non frammentario, specchio della pluralità degli interessi e degli ambiti disciplinari attraversati dal dottorato in Memoria e materia dell’opera d’arte attraverso i processi di produzione, storicizzazione, conservazione, musealizzazione, dove costante si rivela l’impegno intellettuale, la curiosità delle letture, la caparbietà nel ricercare nuovi materiali, di tentare percorsi inesplorati, di rintracciare inedite connessioni, di compiere paragoni e individuare originali innesti, di avanzare nuove ipotesi da parte di giovani studiosi e ricercatori” (Elisabetta Cristallini).
Art and Artists
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Muziécki Modernizam
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