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Provides a collection of contemporary portraits from around the world.
An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
In 1994 two important paintings by J.M.W. Turner—then valued at twenty-four million pounds—were stolen from a German public gallery while on loan from Tate Britain. In this vivid, personal account, Sandy Nairne who was then Director of Programmes at the Tate and became centrally involved in the pursuit of the paintings and the negotiations for their return, retells this complex, 8-year, cloak-and-dagger story, which finally concluded in 2002 with the pictures returning to public display at the Tate. In addition to this thrilling narrative, Nairne unravels stories of other high-value art thefts, puzzling what motivates a thief to steal a well-known work of art that cannot be sold, even on...
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This striking book explores contemporary portraiture from the past decade. The selection features cutting-edge new work from the international art community and reflects an increasing interest in identity worldwide. Organised thematically, the book examines seven key strands of portraiture: The Body; The Self-Portrait; The Invented Portrait; The Anonymous Portrait; Social Identity; The Celebrity Portrait. With an essay by Sandy Nairne, Director of the National Portrait Gallery, London, that locates contemporary portraiture within a historic tradition, 21st Century Portraits examines current trends, showcasing the wide range of media today's artists are using. This book includes an extensive bibliography and is an essential reference work in the field of twenty-first-century portraiture. It will present many images to academic, curatorial and general audiences, including museum and gallery visitors and general art book buyers in the trade for the first time.
Why has the month of November had a special significance – a month in which I seem to have often experienced some particular, even notable, event, change, or development? Chalk it up to chance? Difficult to be sure about that. Sir Patrick Nairne led a remarkable life with a ringside view of history in the making. He fought with the Seaforth Highlanders in North Africa; worked in the post-war Admiralty and Ministry of Defence; organised the first EU Referendum in 1975; led the Department for Health and Social Security; contributed to the Falkland Islands Review Committee; monitored the consultation process in Hong Kong before the territory was handed back to China; and served as the first C...
A compilation of prize-winning portraits from 1990 through 2010.
Art Now is a series of interview-based profiles of prominent contemporary visual artists, bringing together the work of Howard Hodgkin, Antony Gormley, Rachel Whiteread, Julian Opie, Mark Wallinger, and 2001 Turner Prize winner Martin Creed.Sandy Nairne's introductory essay offers a comprehensive overview of the state of contemporary art, highlighting how the six artists manifest some of the best recent and emerging art in Britain today. Each interview presents a thought-provoking survey of the artist's work and ideas and offers a rare and personal insight into their influences and creative processes. Art Now is an excellent introduction to some of today's most important contemporary artists and provides an accessible way to engage with the pleasures and puzzles of art in the twenty-first century.
William Grenfell, Lord Desborough, was, for many, the epitome of the perfect English gentleman: an exceptional sportsman, a dedicated public servant and a devoted husband and father. Grenfell’s astounding sporting achievements, from climbing mountains to swimming the basin of the Niagara Falls twice, from rowing the English Channel and winning the Amateur Punting Championship for three years consecutively, to representing Great Britain in fencing, produced his deep-rooted belief in the importance of sport. It wasn’t surprising therefore that he became the driving force behind the 1908 London Olympic Games, an enormous success despite being staged with only two years’ notice. A surprisi...