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The Changing World of Contemporary South Asian Poetry in English
This collection uses a transnational approach to study contemporary English-language poetry composed by poets of South Asian origin. The poetry contains themes, motifs, and critiques of social changes, and the contributors seek to encapsulate the continually changing environments that these contemporary poets write about. The contributors show that English-language poetry in South Asia is hybridized with imagery and figurative language adapted from the vernacular languages of South Asia. The chapters examine women’s issues, concerns of marginalized groups—such as the Dalit community and the people of Northeastern India—, social changes in Sri Lanka, the changing society of Pakistan, and the formation of the identity in the several nation states that resulted from the British colony of India.
Narratives from the Margins
Adivasis have principally been studied in the context of rebellion, environmental history and the politics of identity. However, preoccupations with definitions and notions of identity, while important in themselves, tend to shift attention away from the inner lives of these communities. This book deals with different aspects of the histories of adivasi communities -- from Rajasthan in the west to Bengal and Orissa in the east. The essays in this book discuss a range of issues affecting the socio-economic and cultural life of adivasis and explore the long term continuities and discontinuities between different political regimes. They also reflect some of the new concerns that have come up re...
Her Stories
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Interpreting Homes in South Asian Literature
Contributed articles.
The Essential Tagore
India’s Rabindranath Tagore was the first Asian Nobel Laureate and possibly the most prolific and diverse serious writer ever known. The largest single volume of his work available in English, this collection includes poetry, songs, autobiographical works, letters, travel writings, prose, novels, short stories, humorous pieces, and plays.
Indian Angles
Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and re-creates the historical webs of affiliation and resistance that writers in colonial India--writers of British, Indian, and mixed ethnicities--experienced.
The Indian Family in Transition
This book critiques literary and cultural representations of the Indian family to explore the manner in which the family and its structure are in transition. The papers explore and expose how the Indian family, whether in India or in diaspora, needs to be redefined in the current context—in this age of rapid industrialization, cultural and economic globalization, and the emergence of new technologies.
Congress Politics in Bengal 1919-1939
Set against the backdrop of major developments in the nationalist movement in Bengal, this study focuses on the nature of the interaction between the Congress, which represented mainstream political nationalism, and popular social groups whose politics was largely disorganized. In particular, it assesses the imapct that this interplay had on the nature of the Congress and the extent to which the provincial Congress organization was able to match its aspirations to those of the people, as it matured from a loosely-structured institution to an organized politica party. Research on the nationalist movement prior to the advent of Subaltern Studies has chiefly concentrated on the activities of th...
Discourses of Empire and Commonwealth
In Discourses of Empire and Commonwealth a range of prominent writers and critics reflect on the legacy of imperialism and the role of writers in forging a new, more cosmopolitan identity. The contributors, writing about a wide range of countries, affirm the freedom of the human spirit, even within unjust or oppressive social systems. They show the power of words to illuminate injustices and unite different peoples. Salman Rushdie famously declared that Commonwealth Literature has had its day: this book provides a vital antidote to this idea. Editors Sandra Robinson and Alastair Niven have put together this mixture of personal reflections, critical overviews, historical re-evaluations and creative works to illustrate the vitality of this genre.
