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Whose Names Are Unknown
Sanora Babb’s long-hidden novel Whose Names Are Unknown tells of the High Plains farmers who fled drought and dust storms during the Great Depression. Written with empathy for the farmers’ plight, this powerful narrative is based upon the author’s firsthand experience. Babb submitted the manuscript for this book to Random House for consideration in 1939. Editor Bennett Cerf planned to publish this “exceptionally fine” novel but when John Steinbeck’s The Grapes of Wrath swept the nation, Cerf explained that the market could not support two books on the subject.
An Owl on Every Post
Reprint. Originally published: New York: McCall, 1970; afterword copyright 1994.
On the Dirty Plate Trail
Runner-up, National Council on Public History Book Award, 2008 The 1930s exodus of "Okies" dispossessed by repeated droughts and failed crop prices was a relatively brief interlude in the history of migrant agricultural labor. Yet it attracted wide attention through the publication of John Steinbeck's The Grapes of Wrath (1939) and the images of Farm Security Administration photographers such as Dorothea Lange and Arthur Rothstein. Ironically, their work risked sublimating the subjects—real people and actual experience—into aesthetic artifacts, icons of suffering, deprivation, and despair. Working for the Farm Security Administration in California's migrant labor camps in 1938-39, Sanora...
Riding Like the Wind
This saga of a writer done dirty resurrects the silenced voice of Sanora Babb, peerless author of midcentury American literature. In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind, renowned biographer Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended t...
Cry of the Tinamou
None
The Lost Traveler
"Sanora Babb's novel, long out of print, is almost entirely autobiographical in origin and continues her story begun in the memoir, An Owl on Every Post. The introduction by Douglas Wixson, English Professor Emeritus, provides a great deal of historical information on the author and insights into this novel. Set in the early 1930s, it is a rich character study of the classic American individualist, Des Tannehill, and his family...The novel's depicition of Depression-era America and its lost families is one that will haunt readers long after the final page." -- back cover.
Told in the Seed
Her strong empathy with people and their daily lives and her ability to elevate the ordinary into the extraordinary is reflected in her poems as well as her other writings, but her poetry also quickens to her lyricism, clarity and sense of immediacy.
Ain't Got No Home
Ain t Got No Home: America's Great Migrations and the Making of an Interracial Left"
Charmian Kittredge London
Charmian Kittredge London (1871–1955) was the epitome of a modern woman. Free-spirited and adventurous, she defied modern expectations of femininity. Today she is best known as the wife of the famous American author Jack London, yet she was a literary trailblazer in her own right. This biography is the first book to tell the complete story of Charmian’s life—freed from the shadow cast by her famous husband. In this biography, Iris Jamahl Dunkle draws the reader into Charmian’s private and public worlds, underscoring her literary achievements and the significant role she played in promoting her husband’s legacy. Her life, as Dunkle emphasizes, required fortitude and bravery, and in ...
Bucking the Sun
Driven from the Montana bottomland to relief work on a New Deal dam project on the Missouri, the Duff family--three brothers, their parents, wives, and others--works on the Fort Peck Dam, but the unforgiving river and tragedy are always threatening.
