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Textual Agency examines the massive proliferation of poetic texts in fifteenth-century Spain, focusing on the important yet little-known cancionero poetry – the largest poetic corpus of the European Middle Ages. Ana M. Gómez-Bravo situates this cultural production within its social, political, and material contexts. She places the different forms of document production fostered by a shifting political and urban model alongside the rise in literacy and access to reading materials and spaces. At the core of the book lies an examination of both the materials of writing and how human agents used and transformed them, giving way to a textual agency that pertains not only to writers, but to the inscribed paper. Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas...
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
This volume traces the development of Carmelite foundations in Medieval Catalonia and shows how they reflected the dichotomy between the Order's eremitical origins and the active mendicant apostolate in which it was engaged. In discussing Carmelite life in an urban setting, mention is made of secular involvement with its positive and negative effects, popular piety and miraculous sightings and outstanding intellectual achievement. The conclusion raises the question that Carmelite friars might have migrated to Europe at an earlier date than traditionally suggested; similarly, that the inaccurate foundation document for Peralada dated 1206 was a fourteenth-century falsification. The appendices provide supplementary material: archival documents, names of priors, royal chaplains, students and graduates and finally an alphabetical list of known medieval Catalan Carmelites. A bibliography and index complete the volume.
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fun...
This book represents the culmination of David Nirenberg s ongoing project; namely, how Muslims, Christians, and Jews lived with and thought about each other in the Middle Ages, and what the medieval past can tell us about how they do so today. There have been scripture based studies of the three religions of the book that claim descent from Abraham, but Nirenberg goes beyond those to pay close attention to how the three religious neighbors loved, tolerated, massacred, and expelled each otherall in the name of Godin periods and places both long ago and far away. Whether Christian Crusaders and settlers in Islamic-ruled lands, or Jewish-Muslim relations in Christian-controlled Iberia, for Nire...
El estudio de la vivienda y de su contenido incorpora un amplio abanico de posibilidades de conocer multitud de aspectos sobre lo que representaba el espacio doméstico para los hombres y mujeres del pasado. La casa ha sido y es una gran conquista de la humanidad, como fundamento material de la familia, pilar del orden social, realidad moral y política, unidad organizativa y, en la época medieval, célula fiscal y demográfica. Además, en ella convergen numerosas actividades, desde la reproducción del agregado doméstico a la transmisión de conocimientos y sentimientos; la socialización de la familia o la producción de la empresa doméstica. Pero, además, la casa no puede percibirse ...
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.