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A Companion to Calderón de la Barca
The first comprehensive study of Calderón in EnglishPedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain''s dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignan...
Popularizing Anti-Semitism in Early Modern Spain and its Empire
This book charts the history and influence of the most vitriolic and successful anti-Semitic polemic ever to have been printed in the early modern Hispanic world and offers the first critical edition and translation of the text into English. First printed in Madrid in 1674, the Centinela contra judíos (“Sentinel against the Jews”) was the work of the Franciscan Francisco de Torrejoncillo, who wrote it to defend the mission of the Spanish Inquisition, to call for the expansion of discriminatory racial statutes and, finally, to advocate in favour of the expulsion of all the descendants of converted Jews from Spain and its empire. Francisco de Torrejoncillo combined the existing racial, theological, social and economic strands within Spanish anti-Semitism to demonize the Jews and their converted descendants in Spain in a manner designed to provoke strong emotional responses from its readership.
Pedro Calderón de la Barca and the World Theatre in Early Modern Europe
Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.
Divination on stage
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
Ambrogio Spinola between Genoa, Flanders, and Spain
Many of the most significant studies devoted to Ambrogio Spinola have focused on one particular aspect of his life: his successful military career. This volume, through its interdisciplinary and cultural approach, breaks open this all too narrow perspective and expands our understanding of Spinola and his world. As a great military strategist and Catholic knight, entrepreneur in the international finance market, courtier, and diplomat, Spinola was certainly a Genoese, but he was also a member of the transnational Iberian elite, to which he linked his fate and that of his children. His life's journey between Italy, Flanders, and Spain, and the reinterpretations of his life by his contemporari...
Strangers Within
A comprehensive study of the New Christian elite of Jewish origin--prominent traders, merchants, bankers and men of letters--between the fifteenth and eighteenth centuries The New Christian elite of Jewish origin were at the forefront of early modern globalisation from the fifteenth to the eighteenth centuries. Either forced to convert to Christianity or descended from those who were, these Iberian traders, merchants, and bankers with links to the academic world and liberal professions played a pivotal role in intercontinental trade for two centuries--only to decline, and virtually disappear as an ethnic elite, by the mid-1700s. In Strangers Within, Francisco Bethencourt offers a comprehensi...
A Nation upon the Ocean Sea
With the opening of sea routes in the fifteenth century, groups of men and women left Portugal to establish themselves across the ports and cities of the Atlantic or Ocean sea. They were refugees and migrants, traders and mariners, Jews , Catholics, and the Marranos of mixed Judaic-Catholic culture. They formed a diasporic community known by contemporaries as the Portuguese Nation. By the early seventeenth century, this nation without a state had created a remarkable trading network that spanned the Atlantic, reached into the Indian Ocean and Asia, and generated millions of pesos that were used to bankroll the Spanish empire. A Nation Upon the Ocean Sea traces the story of the Portuguese Nat...
Blood and Boundaries
Spain and Portugal's policies of exclusion and discrimination based on religious origins and genealogy were transferred to their colonies in Latin America. Schwartz examines the three minority of groups of moriscos, conversos, and mestizos. Muslim and Jewish converts and their descendants posed a special problem for colonial society: Their conversion to Christianity seemed to violate stable social categories and identities. This led to the creation of cleanliness of blood regulations that discriminated against converts and other parts of the population. These groups often found legal and practical means to challenge the efforts to exclude them, creating the dynamic societies of Latin America.
The Conversos and Moriscos in Late Medieval Spain and Beyond
Converso and Morisco are the terms applied to those Jews and Muslims who converted to Christianity in large numbers and usually under duress in late Medieval Spain. The Converso and Morisco Studies publications will examine the implications of these mass conversions for the converts themselves, for their heirs (also referred to as Conversos and Moriscos) and for Medieval and Modern Spanish culture. As the essays in this collection attest, the study of the Converso and Morisco phenomena is not only important for those scholars focused on Spanish society and culture, but for academics everywhere interested in the issues of identity, Otherness, nationalism, religious intolerance and the challenges of modernity. Contributors include Mercedes Alcalá-Galan, Ruth Fine, Kevin Ingram, Yosef Kaplan, Sara T. Nalle, Juan Ignacio Pulido Serrano, Miguel Rodrigues Lourenço, Ashar Salah, Gretchen Starr-LeBeau, Claude Stuczynski, and Gerard Wiegers.
Staging Doubt
This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.
