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A Colombian philosophy student is arrested in Bangkok and accused of drug traf cking. He risks the death penalty, but what weighs most heavily on him, is a tender longing for his sister Juana. Before he dies he wants nothing more than to be reunited with her. As a boy, Manuel was a dreamer, a lover of literature, and a tagger. Juana promised to do everything in her power to protect him from the drug and violence-infested streets of Bogotá. Determined to take him far away from Colombia, Juana took extreme measures to raise the money. When things spun out of control she was forced to flee, leaving her beloved brother behind. Juana and Manuel’s story reaches the ears of the Colombian counsel...
***A CRIME READS BEST BOOK OF THE YEAR*** An addictive and nuanced narrative about conflict-rife Colombia. A boy witnesses a violent confrontation in a remote part of town in the state of Cauca, Colombia. Minutes later, someone arrives at the scene to clear up all trace of the incident. No one in town claims to have heard or seen anything, and yet an anonymous accusation launches a dangerous investigation that unfolds within the corrupt world of the Christian churches of Latin America. A story that urgently reveals inequality and violence that govern an entire country, The Night Will Be Long is a devastatingly humorous thriller that will appeal to fans of Roberto Bolaño and Fernanda Melchor's Hurricane Season. Santiago Gamboa's fascinating characters introduce an addictive and nuanced narrative about conflict-rife Colombia.
“Fans of Roberto Bolaño will feel right at home in this globetrotting tale of misfit poets and ultraviolent drug lords . . . A page turner” (Miami Rail). Manuela is a woman haunted by a troubled childhood that she tries to escape through books and poetry. Tertullian is an Argentine preacher who claims to be the Pope’s son, ready to resort to extreme methods to create a harmonious society. Ferdinand Palacios is a Colombian priest with a dark paramilitary past, now confronted with his guilt. Rimbaud was the precocious, brilliant poet whose life was incessant exploration. Along with Juana and the consul, these are the central characters in Santiago Gamboa’s “complex, challenging stor...
The Strega Award–winning Italian author’s “scalding and incisive” novel of marriage and family bonds that come undone in the wake of an affair (Library Journal, starred review). A New York Times Notable Book of the Year A Sunday Times and Kirkus Reviews Best Book of the Year Winner of the 2015 Bridge Prize for Best Novel Italy, 1970s. Like many marriages, Vanda and Aldo’s has been subject to strain, attrition, and the burden of routine. Yet it has survived intact. Or so things appear. The rupture in their marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. It is a cracked vase that may shatter at the slightest touch. Or perhap...
The image of the hard-boiled private investigator from gritty pulp fiction, a terse and mysterious figure, has become increasingly universal as the detective novel crosses more and more borders. A booming genre in Latin America, Spain and other Hispanic cultures, detective fiction has transcended the limitations of its influences. Hispanic authors relatively new to the genre have published novels and series popular with the public, while a number of well-known writers have adapted the genre to reflect the concurrent globalization of modern society and the crimes within it. This volume presents a compilation of 11 critical essays on genero negro--contemporary detective fiction in the Hispanic and Luso-Brazilian canon. Surveying the last twenty years, the text analyzes emerging trends in this rapidly evolving genre, as well as the mutations and innovations taking place within the style. The first section of the book is dedicated to the detective fiction of Spain and Portugal. The second section surveys works from Latin America and the United States, where topics touch on universal subjects like crime, identity and feminism.
Goodfellas meets White Fang. By the BAFTA-winning screenwriter of Amores Perros. "An epic tale" Sunday Times Crime Club "A fast-moving, intriguing and virile novel" Irish Examiner "Of all the wolves you will see in your life, one alone will be your master." Yukon, Canada's far north. A young man tracks a wolf through the wilderness. The one his grandfather warned him about. In Mexico City, Juan Guillermo has pledged vengeance. For his murdered brother, Carlos. For his parents, sentenced to death by their grief. But in 1960s Mexico justice is sold to the highest bidder, and the Catholic fanatics who killed Carlos are allied to Zunita, a corrupt and influential police commander. If he is to quench his thirst for revenge Juan Guillermo will have to answer his inner call of the wild and discover what links his destiny to a hunter on the other side of America. A gripping coming of age thriller of vengeance and destiny set between Mexico City's murderous 1960s underworld and the bleak tundras of Canada's most remote province. Translated from the Spanish by Frank Wynne and Jessie Mendez Sayer
Are you a lover of crime fiction looking for new discoveries or hoping to rediscover old favourites? Then look no further. There are few contemporary crime fiction guides that cover everything from the golden age to current bestselling writers from America, Britain and all across the world, but the award-winning Barry Forshaw, one of the UK's leading experts in the field, has provided a truly comprehensive survey with definitive coverage in this expanded new edition of the much admired Rough Guide to Crime Fiction. Every major writer is included, along with many other more esoteric choices. Focusing on a key book (or books) by each writer, and with essays on key crime genres, Crime Fiction: ...
A kaleidoscopic, cosmopolitan novel infused with inky noir. Santiago Gamboa is one of Colombia's most exciting writers. In the manner of Roberto Bolano, Gamboa infuses his kaleidoscopic, cosmopolitan stories with a dose of inky dark noir that makes his novels intensely readable, his characters unforgettable, and his style influential. Return to the Dark Valley tells the stories of four immigrants united by their need to return to their place of origin and exact vengeance. Manuela Beltrán, a woman haunted by a troubled childhood she tries to escape through books and poetry; Tertuliano, an Argentine preacher who claims to be the Pope's son, ready to resort to extreme methods to create a harmo...
This collection of essays studies the depiction of contemporary urban space in twenty-first century Latin American fiction. The contributors to this volume seek to understand the characteristics that make the representation of the postmodern city in a Latin American context unique. The chapters focus on cities from a wide variety of countries in the region, highlighting the cultural and political effects of neoliberalism and globalization in the contemporary urban scene. Twenty-first century authors share an interest for images of ruins and dystopian landscapes and their view of the damaging effects of the global market in Latin America tends to be pessimistic. As the book demonstrates, however, utopian elements or “spaces of hope” can also be found in these narrations, which suggest the possibility of transforming a capitalist-dominated living space.
The English-language debut of one of the most thrilling and accomplished young Mexican writers Winner of the Queen Sofía Spanish Institute's Tanslation Prize Longlisted for the National Book Award Shortlisted for the Booker Prize Winner of the Internationaler Literaturpreis New York Public Library Best Books of 2020 Chicago Public Library Best Book of 2020 The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters—inners whom most people would write off as irredeemable—forming a lasting portrait of a damned Mexican village. Like Roberto Bolaño’s 2666 or Faulkner’s novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more and more terrifying the deeper you explore it.