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During the three decades Coote examines, Ayres designed nearly two hundred homes in the fashionable San Antonio suburbs of Monte Vista, Olmos Park, and Terrell Hills, homes that even now rank among the most charming in the area.".
Early Years: Between the Cross and the Silver Slipper -- The Education of an Artist, Part 1 -- The Education of an Artist, Part 2 -- 1960: Coney Island -- Back to Texas -- Artist-Teacher -- Southern Methodist University and Beyond -- Outer World and Inner Realm -- The 1970s: Toward a New Realism -- The 1980s: Connecting Change -- Maine -- Pipe Creek and New York City -- From Subways to Santa Fe -- Greenland, Iceland, and New York City -- Portraits -- Conclusion.
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he ...
"In addition to identifying design sources actually used in Texas, Culbertson provides personal background information on several of the original owners, many of whom were prosperous and respected members of their communities. By providing such contextual information about the houses and their owners, Culbertson shows that using designs published in magazines and catalogues was socially and culturally acceptable during this period." "The book closes with an in-depth look at the use of published designs in one particular community, Waxahachie, and the place of these houses within the community and in the lives of their original owners."--BOOK JACKET.
With 36 full-color photographs and 124 black-and-white pictures, this volume lavishly illustrates his vision and his legacy.
In sixty-seven exquisite watercolors and drawings, nationally famous architect Eugene Aubry captures on paper the sensibilities, the memories, and the grace that evokes Galveston, especially for those who are BOI (“born on the island”). Commissioned by the Galveston Historical Foundation, these works of art are intended to enhance the visual record of the buildings and the unique local architectural style that so many have appreciated over the years.? In the aftermath of Hurricane Ike, Galvestonians became more aware than ever of the treasure of the island’s historical architecture and the vulnerability of this heritage to forces beyond human control. Aubry’s art captures the almost ...
Richly illustrated with rare period photographs, Houston’s Hermann Park: A Century of Community provides a vivid history of Houston’s oldest and most important urban park. Author and historian Barrie Scardino Bradley sets Hermann Park in both a local and a national context as this grand park celebrates its centennial at the culmination of a remarkable twenty-year rejuvenation. As Bradley shows, Houston’s development as a major American city may be traced in the outlines of the park’s history. During the early nineteenth century, Houston leaders were most interested in commercial development and connecting the city via water and rail to markets beyond its immediate area. They apparent...
In 1900, just a few months after the deadly hurricane of September, W. L. Moody Jr. and his family moved into the four-story mansion at the corner of Broadway and Twenty-sixth Street in Galveston. For the next eight decades, the Moody family occupied the 28,000-square-foot home: raising a family, creating memories, building business empires, and contributing their considerable wealth and influence for the betterment of their beloved city. In 1983, Hurricane Alicia damaged the mansion, and Mary Moody Northen, eldest child of W. L. Moody Jr., moved out so a major restoration could begin. When the mansion opened to the public as a museum, education center, and location for community gatherings ...
Glenwood Cemetery has long offered a serene and pastoral final resting place for many of Houston's civic leaders and historic figures. In Houston's Silent Garden, Suzanne Turner and Joanne Seale Wilson reveal the story of this beautifully wooded and landscaped preserve's development—a story that is also very much entwined with the history of Houston. In 1871, recovering from Reconstruction, a group of progressive citizens noticed that Houston needed a new cemetery at the edge of the central city. Embracing the picturesque aesthetic that had swept through the Eastern Seaboard, the founders of Glenwood selected land along Buffalo Bayou and developed Glenwood. Since then, the cemetery's monum...
This ambitious book, originally published by Rice University Press in 1991, describes Houston home life and culture from the settlement of Houston to World War I, when rapid economic development spelled demolition for many notable nineteenth-century public buildings.