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Tracking the Master Scribe
Characterized by collectively produced texts that changed significantly over time, Mesopotamian literature and the Hebrew Bible confound modern notions of authorship and creativity. Tracking the Master Scribe probes the methods ancient scribes employed in passing down the writing that mattered most.
Making a Case
'Making a Case' challenges the long-held notion that Israelite and Judahite scribes either made use of "old" law collections or set out to produce law collections in the Near Eastern sense of the genre. Sara J. Milstein instead proposes that what we call "biblical law" is closer in form and function to another, oft-neglected Mesopotamian genre: legal-pedagogical texts.
Making a Case
Outside of the Bible, all of the known Near Eastern law collections were produced in the third to second millennia BCE, in cuneiform on clay tablets, and in major cities in Mesopotamia and in the Hittite Empire. None of the major sites in Syria that have yielded cuneiform tablets has borne even a fragment of a law collection, even though several have produced ample legal documentation. Excavations at Nuzi have also turned up numerous legal documents, but again, no law collection. Even Egypt has not yielded a collection of laws. As such, the biblical texts that scholars regularly identify as law collections represent the only "western," non-cuneiform expressions of the genre in the ancient Ne...
Tracking the Master Scribe
Working from the two earliest corpora that allow us to track large-scale change over time, this work provides broad overviews of the available evidence for revision through introduction as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian literary texts. The result is a comprehensive and comparative profile of this key scribal method: one that was not only ubiquitous in the ancient Near East but also epitomizes the attitudes of the master scribes toward the literature that they produced.
The Buried Foundation of the Gilgamesh Epic
The Akkadian Gilgamesh Epic, perhaps the most famous of Mesopotamian literature, has been considered the artistry of one author inspired by Sumerian tales. Specialists have assumed that all the earliest evidence (ca. 1800-1700 BCE) reflects this creative unity. Deep contrasts in characterization and narrative logic, however, distinguish the central adventure to defeat the monster Huwawa from what precedes and follows it. The Huwawa narrative stands on its own, so that the epic must have been composed from this prior Akkadian composition. Recognition of the tale embedded in the epic allows each block of material to be understood on its own terms. Such literary-historical investigation from contemporary texts is new to Assyriology and may produce important results when applied to other Mesopotamian writing. "The book is well written and tightly argued...This makes it a first point of reference for anyone interested in the OB evidence for the Gilgamesh Epic." Scott C. Jones, Covenant College
The Notion of Life
None
Why Hidest Thy Face
Why did he suffer? Whose fault was it? Wasn't it unfair to the children? In the end, the Bible's only answers are that these are mysteries and one must live in faith. This book traces the enduring struggles of theological masters to understand Job, one of the fundamental stories nourishing the roots of modern western and middle eastern cultures.
The Book of Amos and its Audiences: Prophecy, Poetry, and Rhetoric
Analyses the poetic audiences of the book of Amos by distinguishing the textual addressee from its actual audiences.
The Ten Commandments
Presents a new translation, analysis, and history of the Decalogue based on a comparison to ancient Levantine monuments.
