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The Dragon in Medieval East Christian and Islamic Art
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
Constructing and Contesting Holy Places in Medieval Islam and Beyond
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands. Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Saintly Spheres and Islamic Landscapes
Saintly Spheres and Islamic Landscapes explores the creation, expansion, and perpetuation of the material and imaginary spheres of spiritual domination and sanctity that surrounded Sufi saints and became central to religious authority, Islamic piety, and the belief in the miraculous. The cultural and social constructs of Islamic sainthood and the spatial inscription of saintly figures have fascinated and ignited scholars across a range of disciplines. By bringing together a broad scope of perspectives and case studies, this book offers the reader the first comprehensive, albeit variegated, exposition of the evolution of saintly spheres and the emplacements of spiritual power in the Muslim world across time and place. Contributors: Angela Andersen, Irit Back, Devin DeWeese, Daphna Ephrat, Jo-Ann Gross, Nathan Hofer, Ayfer Karakaya-Stump, Sara Kuehn, Bulle Tuil Leonetti, Silvia Montenegro, Alexandre Papas, Paulo G. Pinto, Fatima Quraishi, Eric Ross, Itzchak Weismann, Pnina Werber, and Ethel Sara Wolper.
Soulstealers
Midway through the reign of the Ch'ien-lung emperor, Hungli, mass hysteria broke out among the common people. It was feared that sorcerers were roaming the land, clipping off the ends of men's queues (the braids worn by royal decree) and chanting magical incantations over them in order to steal the souls of their owners. In a fascinating chronicle of this epidemic of fear and the official prosecution of soulstealers that ensued, Philip Kuhn opens a window on the world of eighteenth-century China.
Spirits in Transcultural Skies
The volume investigates the visualization of both ritual and decorative aspects of auspiciousness and protection in the form of celestial characters in art and architecture. In doing so, it covers more than two and a half millennia and a broad geographical area, documenting a practice found in nearly every corner of the world. Its transcultural approach aims at gaining insights into cultural dynamics and consistent networks and defining new historical mindmaps; it examines reciprocal effects and aspects of interwovenness in art and architecture with a view to reconceptualizing their established realms. The collection opens a window on a phenomenon in the history of art and architecture that has never before been considered from this perspective. The book focuses on a transcultural iconography of aerial spirits, goddesses and gods in art history, pursuing a methodologically innovative approach in order to redefine and develop the practice of identification and classification of motifs as a means to understanding meaning, and attempting to challenge the categories defined by academic disciplines.
Religious Materiality in the Early Modern World
Religious Materiality in the Early Modern World investigates for the first time how seismic religious changes, a dramatic rise in the availability and consumption of goods, and new global connections transformed the nature and experience of religious material life.
Where Did My Country Go?
Where Did My Country Go and Taking My Country Back A clandestine war has been raging against American ideals and Christian beliefs/morality for well over a century, surfacing in the last few decades to reveal the sinister face of the enemy. The enemy's war machinery is being run by those who call themselves "Progressives." In truth, there is nothing at all progressive about them; their name masks the eons old belief system of secular humanism and their collectivist mission to steal liberty. This enemy's mortar fire has been targeting our American heritage, chiseling away at the foundation of Christian beliefs, morality, ethics, and free enterprise which our Founding Fathers put in place as u...
Muslim Pilgrimage in Europe
In spite of Islam’s long history in Europe and the growing number of Muslims resident in Europe, little research exists on Muslim pilgrimage in Europe. This collection of eleven chapters is the first systematic attempt to fill this lacuna in an emerging research field. Placing the pilgrims’ practices and experiences centre stage, scholars from history, anthropology, religious studies, sociology, and art history examine historical and contemporary hajj and non-hajj pilgrimage to sites outside and within Europe. Sources include online travelogues, ethnographic data, biographic information, and material and performative culture. The interlocutors are European-born Muslims, converts to Islam...
The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe
Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque scul...
