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Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.
The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
In Volume 34, covering May through July 1801, the story of Thomas Jefferson's first presidential administration continues to unfold. He quickly begins to implement his objectives of economy and efficiency in government. Requesting the chief clerk of the War Department to prepare a list of commissioned army officers, Jefferson has his secretary Meriwether Lewis label the names on the list with such descriptors as "Republican" or "Opposed to the administration, otherwise respectable officers." The president calls his moves toward a reduction in the army a "chaste reformation." Samuel Smith, interim head of the Navy Department, in accordance with the Peace Establishment Act, arranges for the sa...
Volume 38 opens on 1 July 1802, when Jefferson is in Washington, and closes on 12 November, when he is again there. For the last week of July and all of August and September, he resides at Monticello. Frequent correspondence with his heads of department and two visits with Secretary of State James Madison, however, keep the president abreast of matters of state. Upon learning in August of the declaration of war by Mawlay Sulayman, the sultan of Morocco, much of the president's and the cabinet's attention is focused on that issue, as they struggle to balance American diplomatic efforts with reliance on the country's naval power in the Mediterranean. Jefferson terms the sultan's actions "palpa...
The Louisiana Purchase dominates the months covered in this volume. Jefferson departs for Monticello to enjoy a needed respite after the busy three and a half months he has just spent in the nation's capital. Shortly before leaving Washington, he has a last meeting with his cabinet, after which he issues a proclamation to reconvene Congress on 17 October, three weeks early. It is the "great and weighty" business of the French government’s stunning offer to transfer all of the Louisiana Territory to the United States that necessitates this important gathering. The event brings Jefferson enthusiastic congratulations from his friends and fellow Republicans. With Jefferson’s great success, h...
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
This edition of Gateway to the West has been excerpted from the original numbers, consolidated, and reprinted in two volumes, with added Publisher's Note, Tables of Contents, and indexes, by Genealogical Publishing Co., SInc., Baltimore, MD.
Ellen Craft Georgia Women of Achievement 1996 At twenty-two, Ellen Craft and her husband William shocked the world and humiliated the South in a bold, daring and dangerous escape from slavery! Ellen, a near white Negro, cut her hair and disguised herself as a white gentleman. Taking her husband as her personal slave they struck out for their freedom on December 21st 1848. Their quest would take them four days and a thousand miles. They would travel on the best trains, stay in the best hotel and ride the best steamers that the South had to offer. All this under the very noses of those that would have had them killed should they be discovered! On December the 25th 1848 they gained their freedom and became the stuff of legends. Screenplay available at fixc@q.com
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