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Annotation The Shishu Ladies of Hilo traces the teaching of shishu (Japanese embroidery) in Hawai'i and describes in detail the modifications made to traditional motifs and materials. It is, however, much more than a historical record of a textile art form. It raises questions about the relationship between the women who made shishu, their ethnicity, and their needlework -- in short, the role of art in achieving ethnic identity.
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Offering a rich and insightful road map of Asian American history as it has evolved over more than 200 years, this book marks the first systematic attempt to take stock of this field of study. It examines, comments, and questions the changing assumptions and contexts underlying the experiences and contributions of an incredibly diverse population of Americans. Arriving and settling in this nation as early as the 1790s, with American-born generations stretching back more than a century, Asian Americans have become an integral part of the American experience; this cleverly organized book marks the trajectory of that journey, offering researchers invaluable information and interpretation. Part ...
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A carefully documented and illustrated account of the stitching community on the Big Island of Hawai'i from the mid 1930s to the late 1960s. This award-winning book traces the teaching of shishu (Japanese embroidery) in Hawai'i and describes in detail the modifications made to traditional motifs and materials. In the 1930s Ima Shinoda began teaching groups of predominantly nisei women in and around Hilo the centuries-old art of Japanese embroidery known as shishu. Trained in Japan, she combined her talents for teaching and stitchery to inspire and instruct a new generation in the demanding art form. Together with her husband, Yoshio, who created the distinctive, eye-catching designs used by hers students, Ima Shimoda was responsible for not only furthering the practice of shishu in Hawai'i but ensuring its existence as a vital link for many nisei to their cultural past and its traditions.