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What is love if not an invention-not just human instinct but artful construction? The women who people The Invention of Love, Sara Schaff's second story collection, long to conceive of themselves as artists, as lovers, as good sisters and daughters-while contending with financial insecurity and the reality of twenty-first century womanhood. A college student finds her voice as an artist through a tiny lie. A woman grieves her mother's death by shopping for houses she can't afford and will never live in. Against the backdrop of the 2016 election, a copywriter contends with misogyny in the workplace by using that very misogyny against her incompetent male boss. Nostalgic for the women they were or might have been-or still might yet become-their stories illuminate the moments where everything changes-even when what changes is how we must see our futures.
Fiction. Women's Studies. Finalist for the 2017 Next Generation Indie Book Award. Finalist for CLMP's Firecracker Awards in the category of Fiction. In the twelve stories in this engrossing collection, Sara Schaff introduces us to characters at turning points in their lives; in doing so, she charts the way we take risks--or create illusions--in the face of the unknown. A newly blended family's vacation is upended by one daughter's mythmaking and another's eagerness to believe her. A young couple on the verge of breaking up take one last trip together, only to have their reconciliation disrupted by uninvited guests. A woman faces accusations of theft by the very people who think they have sav...
An ocean divides us. Yet each particle transfers its energy to the next, thereby completing vast connections. An Ocean Away is concerned with these issues of alienation and intimacy. It attempts to reconcile new experience with the task of making one's home in the world. An Ocean Away draws as much upon the apparent facts of family origins and political history as it does upon the no less real facts of memory and fantasy. The author's formative years in New England and his travels in South America and Asia serve as the backdrop for these poems. Belly to tile, arms outstretched and listening to the swallowed clink of a lawnmower, I sifted through the bottom layers: one bandaid; one lost contact lens; one jelly bracelet (niece's) which might have been from last week or three summers back. But nothing seemed to fit just right. Until I saw your shadow hovering in the shallow end- my desire for you taking shape again. That-and the end of my air- brought me back to you. -From "At the Bottom" "Engaging, naturally crafted." -Kenneth Lincoln, author of The Good Red Road; Professor of English, UCLA.
This volume traces how American literature evolved in response to widespread conflicts over the very nature of US democracy in the early republic and antebellum eras. It examines how American writers reacted to three moments of profound divisiveness in the 1790s, 1830s, and 1850s.
This book is aimed at those Christians who have begun to question the conventional understandings of Jesus, and Christianity, and even of what we mean by "God," and have become discomforted by the dissonance between their own thinking and the church's stance. A critical thinker by inclination and education, Jack Bowers explored Celtic Christian spirituality for a decade. That taught him there are other ways to live out the Christian faith than what we have been told by Rome and Protestantism. Upon retirement in 1998, no longer professionally required to reflect conventional theology, his belief structure began to wander, seriously re-examining all he had taught and believed. Having heard whispered rumors in younger years of priests "losing their faith," instead he felt he was not losing his theology but growing it. This volume leads you through the evolution of his beliefs to what he can speak out with confidence right now, understanding that as he continues to grow and experience this world, and hopefully get a little wiser, his beliefs will evolve yet farther. He invites you into this challenging spiritual pilgrimage to discover what you can confidently believe in 2016 AD.
Includes Jack the trickster, boo-bags and plat-eyes, ghosts, and singing turtles, an enchanting and entertaining collection of tales, culminating from the author.
Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium—from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camer...
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“A diverse and glorious selection . . . a gift of imagination, wit, and wonder. The collection is filled with miniature masterpieces. . . . This must-have anthology is a treasure trove not to be missed.” —Library Journal (starred review) The prestigious annual story anthology, featuring prize-winning stories by Kate DiCamillo, Jess Walter, Dave Eggers, Allegra Goodman, Jai Chakrabarti, Francisco Gonzalez, and more. Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Amor Towles has brought his own refreshing perspective to t...