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Acts of Gaiety
Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism by recovering earlier mirthful modes of political performance. The book mines the archives of lesbian-feminist activism of the 1960s–70s, highlighting the outrageous gaiety—including camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside "legitimate theater”-- at the center of the social and theatrical performances of the era. Juxtaposing figures such as Valerie Solanas and Jill Johnston with more recent performers and activists including Hothead Paisan, Bitch and Animal, and the Five Lesbian Brothers, Sara Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.
Trauma, Abandonment and Privilege
Trauma, Abandonment and Privilege discusses how ex-boarders can be amongst the most challenging clients for therapists; even experienced therapists may unwittingly struggle to skilfully address the needs of this client group. It looks at the effect on adults of being sent away to board in childhood and the problems associated with boarding, which have only recently been acknowledged by mainstream mental health professionals. This practice-based book is illustrated by case studies, diagrams and exercises and is divided into three parts: ‘Recognition; Acceptance; Change’. It aims to help readers understand the emotional processes of boarding and the psychological aspects of survival, outli...
Journey to Thanks
Journey to Thanks By: Patty Ratliff Following the story of Samuel and Sara, along with a few of their friends, this good-natured tale shows how much love, faith, and hopefulness can do for a family. With challenges, such as unwanted marriages and trouble having children, the story of Samuel and Sara prove that if we trust in the Lord, He will help anyone through any difficult time.
Talking with Horses
She falls in love with Zehun, a Lieutenant of Attila the Hun, while he saves her from savages who want her dead. She returns the favor by saving Zehun seconds before he is sliced to pieces by Roman soldiers who have captured him. She places seven arrows into seven soldiers in as many seconds, shooting left and right handed with her bow. This happens in an action-packed fantasy world Emma Armbrust has created as a refuge from her autism. In real life, her autism enables her to communicate with her jumping horse Tower, as people and horses did millions of years before. Emma is 18 years old, tall, blonde and beautiful . She lives in the hills of Malibu, California, where she also falls in love with Jules , a troubled young man who is her age, and also a social outcast. There is just one problem. Zehun and Jules look exactly alikethey just live 2,000 years apart. While Emma tries desperately to resolve her love triangle, she survives medication to make her normal and then rides Tower to National Grand Prix victory, thus saving the family horse ranch from bankruptcy.
Text & Presentation, 2014
Text & Presentation gathers some of the best work presented at the 2014 Comparative Drama Conference in Baltimore. The subjects explored in this volume range from ancient to contemporary and encompass great cultural and intellectual diversity. The highlight of the conference was a presentation by award-winning playwright David Henry Hwang. A transcript of Hwang's conversation is the lead piece, followed by twelve research papers, one review essay and ten book reviews. This volume accurately represents the diversity of the annual conference, and represents the latest research in the fields of comparative drama, performance and dramatic textual analysis.
Denationalizing Identities
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
Witch Hunting and Witch Trials (RLE Witchcraft)
Originally published in 1929, the author presents a formidable collection of facts, brought together in a scholarly manner. This is an examination of the general history of witchcraft, its changing laws and legal procedures, as well as methods of interrogation and punishment. This book must be considered an essential reference work for every student of witch lore.
Making Waves
1975 was a key year for the women's movement in France. Through a critical exploration of the politics, activism and cultural creativity of that moment, this book evaluates the achievements and legacies of second wave French feminism for subsequent 'waves', including the movement's contemporary resurgence.
Theatre of Good Intentions
Theatre of Good Intentions examines limitations of theatre in the creation of social and political change. This book looks at some of the reasons why achieving such goals is hard; examining what theatre can and can't do. It examines a range of applied and political theatre case studies, focusing on theatre's impact on participants and spectators.
Necrological Report
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