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From Versailles to the home vegetable garden, from worlds imagined by artists to food production recorded by journalists, The Photographer in the Garden traces the garden's rich history in photography and delights readers with spectacular photographs. An informative essay from curator Jamie M. Allen and commentaries by Sarah Anne McNear broaden our understanding of photography and explore our unique relationship with nature through the garden. This is a sublime book bringing together some of history's most stunning photography.
Hemmed in on three sides by the "El" and on the fourth by Lake Michigan, Chicago's downtown core is a vital conglomeration of architectural histories, from the birth of the skyscraper through to the perfection of International Style and onward toward postmodern eclecticism. The Loop, as the area is known, has long fascinated photographers, and Barbara Crane is no exception. Between 1976 and 1978, she wheeled a bright-red leather golf bag around the neighborhood. The bag contained a 5-by-7 view camera, which she used to expose more than 500 negatives. Later edited down to a finished series of 90 pictures, and published here as a selection of 40, Crane's images capture the interstitial urban spaces that exist in between every building block of the Loop's circumscribed grid.
Women and the Collaborative Art of Gardens explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. Throughout the book, each chapter centers the act of collaboration, from garden clubs of the early twentieth century as powerful models of women’s leadership, to the more intimate partnerships between family members, to the delicate relationship between artist and subject. Women emerge in every chapter, whether as gardeners, designers, owners, writers, illustrators, photographers, filmmakers, or subjects, but the contributors to this dynamic collection unseat ...
A detailed account of the life and work of a pioneer among women's education and the founder of the Troy Female Seminary.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Essay by Deborah Wye. Foreword by Glenn D. Lowry.
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“Roll-up-your-sleeves advice on throwing pottery, growing dahlias, cooking her tried-and-true recipes, and everything in between.” —Martha Stewart Living “Suited to any type of creative, offering up lessons on inspiration and creativity that are sure to bring out your inner talent.” —House Beautiful, Best New Design Books What makes a creative life? For an artist like Frances Palmer, it’s knitting all of one’s passions—all of one’s creativity—into the whole of life. And what an inspiration it is. A renowned potter, an entrepreneur, a gardener, a photographer, a cook, a beekeeper, Palmer has over the course of three decades caught the attention not only of the countless ...
This volume reproduces almost 100 remarkably detailed and texturally rich photographs. Essays by noted historians John Stilgoe, Mary Panzer, and Kenneth Finkel place Rau and his work in the context of the history of American advertising and landscape photography.