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Critical Perspectives on Commonwealth Literature
Sarah ANYANG AGBOR'S text is a conceptual, historical and functional examination of Commonwealth Literature. The text comes across as a nice way to review some of the essential conceptual and historical development of Commonwealth literature. This text will be of special interest for students in Commonwealth studies.The work responds to two ways of looking at Commonwealth literature. The fi rst is a conceptual defi nition, historical development and diversifi cation of Commnwealth Literature. The other is to investigate through sociological criticism the various ways Commonwealth Literature dissents. This comparative analysis which is not limited to authors and regions but extends to the erstwhile and the contemporary, offers invaluable insights into the longstanding debates surrounding the concept of Commonwealth Literature in particular and draws conclusions that do not pretend to close the debate but rather articulate the discursive nature of Commonwealth Literature and the ambivalence of its 'defi - ning' parameters. Professor Edward Oben Ako
Emerging Perspectives on Alobwed’Epie
This collection of essays poses the problem of the preservation of cultural identities in the present-day global context. The comparative approach of this cultural study shows the universal dimension of the issues raised in the book, highlighting that gender equality, women’s emancipation, ethnicity, religion, tradition, oppression, resistance, modernity and linguistic affinities are recurrent in many contemporary national literatures.
Texts and Contexts
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American literature
This collection of essays gives an insight into the evolution of American literature from its inception to its present stage. It thus answers the question What is American Literature today ? Examining the different periods, trends and various historical contexts that have impacted on this national literature, the book tackles the thorny questions of influences, periodization and historicizing in literary art. It highlights the protean nature of American literature through the interdisciplinary critical essays that discuss contemporary global issues: cultural diversity, the environment, territorialism, identity fixity, motherhood, racism, resilience and resistance. This collection is of great significance to scholars, students and teachers of literary, cultural, gender, environmental and historical studies.
Migration, culture and transnational identities
A common feature of all human histories is migration. The migration of individuals implies the migration of cultures. Cultural migration produces transitional and transnational identities. This transnationness itself is not a state, but rather a stage in a seemingly interminable process of "becoming".
Once Upon A Time
Once Upon a Time is a critique of life and various issues stemming from sociocultural realities, love, politics, religion and cross-cultural encounters. Different emotions and experiences trigger the poet's muse to protest and revolt against wantonness in varied forms in contemporary society. Through the exploitation of the resources of language and free verse, the poet engages on issues that plague his immediate society: greed, materialism, exploitation, neocolonialism, and cosmic governance, the deprivation of human rights, frustration, dehumanization, oppression, squalor and moral decadence. The poet's voice is distinctive and his poetic vision mirrors the social, religious and political world around him. Sarah ANYANG AGBOR (PhD)
RIOT in the MIND: A Critical Study of J. N. Nkengasong
This is an important work in literary theory and philosophy of literature. I consider the work a properly constructed path that will lead readers to the literary world of Nkengasong, and Nkengasong to a global world of literary relevance. If you have read Nkengasong before now you will be more comfortable with his works by reading Riot in the Mind: A Critical Study of J. N. Nkengasong. If you have not start with it.Dr. Lawrence Ogbo Ugwuanyi
Yearbook on the African Union Volume 2 (2021)
This is the second edition of the Yearbook on the African Union (YBAU). The YBAU is first and foremost an academic project that provides an in-depth evaluation and analysis of the institution, its processes, and its engagements. Despite the increased agency in recent years of the African Union in general, and the AU Commission in particular, little is known – outside expert policy or niche academic circles – about the Union’s activities. This is the gap the Yearbook on the African Union wants to systematically address. It seeks to be a reference point for in-depth research, evidence-based policy-making and decision-making. Contributors are Kwesi Aning, Emmanuel Balogun, Habibu Yaya Bappah, Enrico Behne, Bruce Byiers, Annie Barbara Hazviyemurwi Chikwanha, Dawit Yohannes Wondemagegnehu, Katharina P.W. Döring, Jens Herpolsheimer, Hans Hoebeke, Christopher Changwe Nshimbi, Edefe Ojomo, Awino Okech, Onesphore Sematumba, Tim Zajontz.
Opuliche
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The Dark Edge of African Literature
The Dark Edge of African literature proposes arguments and theories for interpretation or exposition of Africa's modern fictions irrespective of the language of narrative. It attempts to discern how such interpretation of contemporary history may be received from an African perspective and what the implications are for African cultures and literatures abound by such experience. Starting with a writers profile of twentieth century African dictatorships and the African writer critical approaches on Somali, Nigerian, Kenyan, Angolan, Sudanese literatures present many different, if often not recognised, materials on uprising and resistance to readers of African literature. The physical and psychological dislocation by war, the controversy about the relational quality and dependent nature of text on context, and the exigency that informs the deliberate distortions of certain figures and images by contemporary African writers are some of the issues covered in this volume.
