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The Botany of Empire in the Long Eighteenth Century brings together international scholars to examine: the figure of the botanical explorer; links between imperial ambition and the impulse to survey, map, and collect specimens in "new" territories; and relationships among botanical knowledge, self-representation, and material culture.
Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to ach...
This rich, deeply researched study offers the first comprehensive exploration of cross-cultural plant knowledge in eighteenth-century Mauritius. Using the concept of creolisation – the process by which elements of different cultures are brought together to create entangled and evolving new entities – Brixius examines the production of knowledge on an island without long-established traditions of botany as understood by Europeans. Once foreign plants and knowledge arrived in Mauritius, they were adapted to new environmental circumstances and a new socio-cultural space. Brixius explores how French colonists, settlers, mediators, labourers and enslaved people experienced and shaped the island's botanical past, centring the contributions of subaltern actors. By foregrounding neglected non-European actors from both Africa and Asia, within a melting pot of cultivation traditions from around the world, she presents a truly global history of botanical knowledge.
"The Garden Politic shows how Americans in the nineteenth century used plants to understand their nation, mobilizing them for many different political ends, from abolition to private property. It also shows the importance of everyday gardening practices to broader environmental understandings, and suggests the lessons that this earlier period might offer our contemporary environmental imaginations"--
This book tells the story of Yıldız Palace in Istanbul, the last and largest imperial residential complex of the Ottoman Empire. Today, the palace is physically fragmented and has been all but erased from Istanbul’s urban memory. At its peak, however, Yıldız was a global city in miniature and the center of the empire’s vast bureaucratic apparatus. Following a chronological arc from 1795 to 1909, The Accidental Palace shows how the site developed from a rural estate of the queen mothers into the heart of Ottoman government. Nominally, the palace may have belonged to the rarefied realm of the Ottoman elite, but as Deniz Türker reveals, the development of the site was profoundly connec...
The book analyses from a comparative perspective the exploration of territories, the histories of their inhabitants, and local natural environments during the long eighteenth century. The eleven chapters look at European science at home and abroad as well as at global scientific practices and the involvement of a great variety of local actors in the processes of mapping and recording. Dealing with landlocked territories with no colonies (like Switzerland) and places embedded in colonial networks, the book reveals multifarious entanglements connecting these territories. Contributors are: Sarah Baumgartner, Simona Boscani Leoni, Stefanie Gänger, Meike Knittel, Francesco Luzzini, Jon Mathieu, Barbara Orland, Irina Podgorny, Chetan Singh, and Martin Stuber.
A new social history of botany in Britain and France, 1760-1815, demonstrating the significance of commerce, horticulture and amateur scholarship.
Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods.
The essays in this volume examine the nature and extent of disease on indigenous communities and local populations located within the vast regions of the Indian and Pacific Oceans as a result of colonial sea power and colonial conquest. While this established a long-term impact of disease on populations, the essays also offer insights into the dynamics of these populations in resisting colonial intrusions and introduction of disease to newly-acquired territories.
Sul’s history of the international ginseng trade reveals the cultural aspects of international capitalism and the impact of this single commodity on relations between the East and the West. Ginseng emerged as a major international commodity in the seventeenth century, when the East India Company began trading it westward. Europeans were drawn to the plant’s efficacy as a medicine, but their attempts to transplant it for mass production were unsuccessful. Also, due to a failure of extracting its active ingredients, Western pharmacology disparaged ginseng in the process of modernization. In the meantime, ginseng was discovered on the American continent and became one of the United Statesâ€...