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The Land of Story-books
This volume of twenty essays presents a unique insight into the world of Scottish children's literature throughout the long nineteenth century. As well as revisiting much-loved authors such as Stevenson, Barrie, and MacDonald, it explores the neglected role of women writers in shaping the inheritance of Scottish children's literature, the significant contribution of Gaelic writers, and the role of folklore and tradition. Essays also examine the significance of children as literary protagonists, and as readers themselves. In recovering these marginal voices and texts, and in showing how well-known stories explore questions of culture, identity, and language, The Land of Story-Booksseeks to restore the traditions of children's writing to the heart of Scottish literary history.
Edinburgh Companion to Scottish Traditional Literatures
This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.
The Cambridge Companion to Scottish Literature
A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.
Royal Poetrie
Royal Poetrie is the first book to address the significance of a distinctive body of verse from the English Renaissance—poems produced by the Tudor-Stuart monarchs Henry VIII, Mary, Queen of Scots, Elizabeth I, and James VI/I. Not surprisingly, Henry VIII is no John Donne, but the unique political and poetic complications raised by royal endeavors at authorship imbue this literature with special interest. Peter C. Herman is particularly intrigued by how the monarchs' poems express and extend their power and control. Monarchs turned to verse especially at moments when they considered their positions insecure or when they were seeking to aggregate more power to themselves. Far from reflectin...
Contemporary Scottish Women Writers
These essays fill a gap in critical response to contemporary Scottish women writers.
Royal Subjects
Sixteen leading scholars explore the richness of King James's work from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Best known for his landmark version of the Protestant Bible, James VI (1566-1625) of Scotland, who succeeded Elizabeth I to the English throne, was truly a monarch of the word. From religious prose and verse to political treatises and social works to love poems and witty doggerel, James used writing and the print media to inspire his subjects, govern them, keep his enemies at bay, and even examine his own authority. Until now, the full span of James's work has received little critical attention by political and literary historians. In Royal Subjects, sixteen leading scholars explore the richness of his oeuvre from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Through its unprecedented look at monarchic writing, Royal Subjects not only enriches our understanding of the reign of James VI and I but also offers fruitful suggestions for approaches to other Renaissance texts and other periods.
The Literary Culture of Early Modern Scotland
This book explains the literary history of Scotland in the early modern period (1560-1625) by investigating what was the most important way of publishing such literature (mostly poetry): the manuscript. It organises the majority of surviving manuscripts by three different types of place where they were written and read: 1) the royal court, 2) the city, and 3) the country. It has long been believed that the renaissance in Scotland was a disappointing affair, butthis book argues that in fact it has long been misunderstood: the contents of little-known manuscripts paint a picture of a much more interesting cultural history than was previously known.
Du Bartas' Legacy in England and Scotland
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James� intervention, Scottish literary tastes ha...
Scottish Literature in English and Scots
This substantial new volume is a stimulating yet in-depth introduction to Scottish literature in English and Scots. From medieval to modern, the entire range of literature is introduced, examined and explored. Aimed primarily at those with an interest in Scottish literature, this guide also responds to the need for students and teachers to have detailed discussions of individual authors and texts.The volume looks at Scottish literature in six period sections: Early Scottish Literature, Eighteenth-Century, The Age of Scott, Victorian and Edwardian, The Twentieth-Century Scottish Literary Renaissance, and Scottish Literature since 1945. Each section begins with an overview of the period, follo...
