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The Land of Story-books
This volume of twenty essays presents a unique insight into the world of nineteenth-century Scottish children's literature. As well as much-loved authors such as Stevenson, Barrie, and MacDonald, it explores how women writers shaped Scottish children's literature, the contribution of Gaelic writers, and the role of folklore and tradition.
Edinburgh Companion to Scottish Traditional Literatures
Introduces Scotland's contribution to forms of traditional culture and expression - folk narrative, ballad, legend, song, broadsides and chapbooks.
Children and Youth in Premodern Scotland
Essays exploring childhood and youth in Scotland before the nineteenth century.
The Cambridge Companion to Scottish Literature
A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.
Royal Poetrie
Royal Poetrie is the first book to address the significance of a distinctive body of verse from the English Renaissance—poems produced by the Tudor-Stuart monarchs Henry VIII, Mary, Queen of Scots, Elizabeth I, and James VI/I. Not surprisingly, Henry VIII is no John Donne, but the unique political and poetic complications raised by royal endeavors at authorship imbue this literature with special interest. Peter C. Herman is particularly intrigued by how the monarchs' poems express and extend their power and control. Monarchs turned to verse especially at moments when they considered their positions insecure or when they were seeking to aggregate more power to themselves. Far from reflectin...
The Literary Culture of Early Modern Scotland
This book explains the literary history of Scotland in the early modern period (1560-1625) by investigating what was the most important way of publishing such literature (mostly poetry): the manuscript. It organises the majority of surviving manuscripts by three different types of place where they were written and read: 1) the royal court, 2) the city, and 3) the country. It has long been believed that the renaissance in Scotland was a disappointing affair, butthis book argues that in fact it has long been misunderstood: the contents of little-known manuscripts paint a picture of a much more interesting cultural history than was previously known.
Du Bartas' Legacy in England and Scotland
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James� intervention, Scottish literary tastes ha...
Edinburgh History of the Book in Scotland, Volume 4: Professionalism and Diversity 1880-2000
In this volume a range of distinguished contributors provide an original analysis of the book in Scotland during a period that has been until now greatly under-researched and little understood. The issues covered by this volume include the professionalisation of publishing, its scale, technological developments, the role of the state, including the library service, the institutional structure of the book in Scotland, industrial relations, union activity and organisation, women and the Scottish book, and the economics of publishing. Separate chapters cover Scottish publishing and literary culture, publishing genres, the art of print culture, distribution, and authors and readers. The volume also includes an innovative use of illustrative case studies.
"Joyous Sweit Imaginatioun"
This volume gathers together essays on Scottish literature, diverse in historical period, mode, and form in honour of Professor R.D.S. Jack, Professor Emeritus of English Literature at the University of Edinburgh. Chronologically, the collection sweeps from the early middle ages to the early twentieth century, from Robert Henryson to J.M. Barrie, conveying a sense of the shifting and subtle identities and continuities of Scottish literary traditions across the centuries, and opening up, through a distinctive and unusual range of writers and texts, unfamiliar aesthetic, cultural, and linguistic landscapes. Unusual and wide-ranging in subject and scope, the volume explores Scottish medieval ro...
