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An epic kind of year There were times when I made truly bad choices in life, moments when I knew better but I just couldn’t seem to help myself. You know what I mean, right? How logic and common sense seem to diverge with the powerful urge to act despite the innate understanding such actions will likely get you into a world of trouble and may not, in the end, be worth it? And, despite knowing all that, no matter how much you work to convince yourself some things are better left undone, let go, abandoned you just can’t seem to allow yourself the freedom to be a good, normal person and simply mind your own business. Wait. Was that just me? Sigh. Yeah. Just me. Okay then. Fiona Fleming’s ...
Ohio Source Records is composed of articles from the scarce periodical The Ohio Genealogical Quarterly. This book consolidates and indexes the contents of the periodical, which consisted chiefly of cemetery records, tax lists, newspaper abstracts, and vital records, the combined articles bearing reference to about 45,000 persons.
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from ...
Because clothing, food, and shelter are basic human needs, they provide excellent entries to cultural values and individual aesthetics. Everyone gets dressed every day, but body art has not received the attention it deserves as the most common and universal of material expressions of culture. The Grace of Four Moons aims to document the clothing decisions made by ordinary people in their everyday lives. Based on fieldwork conducted primarily in the city of Banaras, India, Pravina Shukla conceptualizes and realizes a total model for the study of body art—understood as all aesthetic modifications and supplementations to the body. Shukla urges the study of the entire process of body art, from the assembly of raw materials and the manufacture of objects, through their sale and the interactions between merchants and consumers, to the consumer's use of objects in creating personal decoration.