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Unorganized Women
Across a range of industrial, domestic, and agricultural sites, Greer shows how repetitive discursive performances served as rhetorical tools as women workers sought to rescript power relations in their workplaces and to resist narratives about their laboring lives. The case studies reveal noteworthy patterns in how these women’s words helped to construct the complex web of class relations in which they were enmeshed. Rather than a teleological narrative of economic empowerment over the course of a century, Unorganized Women speaks to the enduring obstacles low- and no-wage women face, their creativity and resilience in the face of adversity, and the challenges that impede the creation of meaningful coalitions. By focusing on repetitive rhetorical labor, this book affords a point of entry for analyzing the discursive productions of a range of women workers and for constructing a richer history of women’s rhetoric in the United States.
Women and Rhetoric between the Wars
In Women and Rhetoric between the Wars, editors Ann George, M. Elizabeth Weiser, and Janet Zepernick have gathered together insightful essays from major scholars on women whose practices and theories helped shape the field of modern rhetoric. Examining the period between World War I and World War II, this volume sheds light on the forgotten rhetorical work done by the women of that time. It also goes beyond recovery to develop new methodologies for future research in the field. Collected within are analyses of familiar figures such as Jane Addams, Amelia Earhart, Helen Keller, and Bessie Smith, as well as explorations of less well known, yet nevertheless influential, women such as Zitkala-Š...
My Casting Couch Was Too Short
A personal memoir based on of the life of a Hollywood casting icon. Marion Dougherty lent a helping hand with discovering the careers of legendary actors such as James Dean, Warren Beatty, Robert De Niro, Dustin Hoffman, Al Pacino, Robert Redford, Mel Gibson, Danny Glover, Jon Voight, Robert Duvall, Gene Hackman, Bette Midler, Glenn Close, Diane Lane, Brooke Shields, and countless others. Dougherty began her casting profession in New York during the Golden Age of Television, casting well over six hundred episodes of Kraft Television Theatre, Naked City, and Route 66, which led to her very successful career in the motion picture industry. She became the first female casting executive at Paramount Pictures in 1975 before securing the position of vice president of talent at Warner Brothers in 1979, a position she held up until her retirement in the year 2000. Doughertys casting career spanned over fifty years, and the many personal anecdotes that she shares in My Casting Couch Was Too Short are a must-read.
Rhetorical Education in Turn-of-the-Century U.S. Women's Journalism
Examining the rhetorical and pedagogical work of three turn-of-the-century newspaperwomen At the end of the nineteenth century, newspapers powerfully shaped the U.S. reading public, fostering widespread literacy development and facilitating rhetorical education. With new opportunities to engage audiences, female journalists repurposed the masculine tradition of journalistic writing by bringing together intimate forms of rhetoric and pedagogy to create innovative new dialogues. Rhetorical Education in Turn-of-the-Century U.S. Women’s Journalism illuminates the pedagogical contributions of three newspaperwomen to show how the field became a dynamic site of public participation, relationship ...
The Rhetorical Arts of Women in Aviation, 1911-1970
The Rhetorical Arts of Women in Aviation, 1911–1970: Name It and Take It explores the rhetorical strategies employed by women involved in aviation between 1911 and 1970. It begins with Harriet Quimby, who began writing aviation-themed articles for Frank Leslie's Weekly in 1911, and ends with Jerrie Cobb, one of the women who underwent a series of rigorous tests in the hopes of becoming an astronaut. Although one chapter is devoted to the correspondence between German pilot Thea Rasche and aviatrix ally Glenn Buffington, the author largely examines how women in the United States have navigated a developing field that at first seemed to welcome their participation, but over time created disc...
Museums, Narratives, and Critical Histories
In response to systemic racism and institutions’ implications in histories of colonialism, nationalism, and exclusion, museum curators have embraced new ways of storytelling to face entangled memories and histories. Critical museum practices have consciously sought to unsettle established forms of representation, break with linear narratives of progress, and experiment with new modes of multivocal, multimedia, and subjective storytelling. The volume features analyses of narratives and narration in museums and heritage institutions today, as well as visions for future museum practices on a local, regional, national, transnational, and global scale. It is divided into three sections: Narrati...
The Rhetoric of White Slavery and the Making of National Identity
At the turn of the twentieth century, the white slavery panic pervaded American politics, influencing the creation of the FBI, the enactment of immigration law, and the content of international treaties. At the core of this controversy was the maintenance of white national space. In this comprehensive account of the Progressive Era’s sex trafficking rhetoric, Leslie Harris demonstrates the centrality of white womanhood, as a symbolic construct, to the structure of national space and belonging. Introducing the framework of the mobile imagination to read across different scales of the controversy—ranging from local to transnational—she establishes how the imaginative possibilities of mobility within public controversy work to constitute belonging in national space.
The Women of Explosive Ordnance Disposal
The Women of Explosive Ordnance Disposal: Cyborg, Techno-Bodies, Situated Knowledge, and Vibrant Materiality in Military Cultures addresses the disparities between policy discourse and the lived experiences of women in the Explosive Ordnance Disposal community who these policies seek to regulate through a rhetorical framework. During the Global War on Terrorism, the changing contexts of war brought the community to the forefront of combat preceding the 2016 policy repeal restricting women’s service in combat, which positioned these women at a poignant moment in history. Their positioning also sheds light on the challenges twenty-first century scholars face in analyzing shifting gender role...
Cather Studies, Volume 13
Willa Cather wrote about the places she knew, including Nebraska, New Mexico, New York, and Virginia. Often forgotten among these essential locations has been Pittsburgh. During the ten years Pittsburgh was her home (1896-1906), Cather worked as an editor, journalist, teacher, and freelance writer. She mixed with all sorts of people and formed friendships both ephemeral and lasting. She published extensively--and not just profiles and reviews but also a collection of poetry, April Twilights, and more than thirty short stories, including several collected in The Troll Garden that are now considered masterpieces: "A Death in the Desert," "The Sculptor's Funeral," "A Wagner Matinee," and "Paul'...
Retroactivism in the Lesbian Archives
Winner, 2018 Winifred Bryan Horner Outstanding Book Award Grassroots historiography has been essential in shaping American sexual identities in the twentieth century. Retroactivism in the Lesbian Archives examines how lesbian collectives have employed “retroactivist” rhetorics to propel change in present identification and politics. By appropriating and composing versions of the past, these collectives question, challenge, deconstruct, and reinvent historical discourse itself to negotiate and contest lesbian identity. Bessette considers a diverse array of primary sources, including grassroots newsletters, place-based archives, experimental documentary films, and digital video collections...
