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New Postcolonial British Genres
This study analyses four new genres of literature and film that have evolved to accommodate and negotiate the changing face of postcolonial Britain since 1990: British Muslim Bildungsromane, gothic tales of postcolonial England, the subcultural urban novel and multicultural British comedy.
Love and Space in Contemporary African Diasporic Women’s Writing
This book sets out to investigate how contemporary African diasporic women writers respond to the imbalances, pressures and crises of twenty-first-century globalization by querying the boundaries between two separate conceptual domains: love and space. The study breaks new ground by systematically bringing together critical love studies with research into the cultures of migration, diaspora and refuge. Examining a notable tendency among current black feminist writers, poets and performers to insist on the affective dimension of world-making, the book ponders strategies of reconfiguring postcolonial discourses. Indeed, the analyses of literary works and intermedia performances by Chimamanda Adichie, Zadie Smith, Helen Oyeyemi, Shailja Patel and Warsan Shire reveal an urge of moving beyond a familiar insistence on processes of alienation or rupture and towards a new, reparative emphasis on connection and intimacy – to imagine possible inhabitable worlds.
Lived Experiences and Social Transformations
Practices of sharing marginalised lived experiences are framed as providing insight into injustices; yet social inequalities influence whose experiences, and whose interpretations of these experiences, are seen as valid. Lived Experiences and Social Transformations analyses academic and activist encounters with lived experiences, arguing that these practices reinforce or disrupt power relations. Through the example of UK activists sharing their experiences of poverty, Wren Radford advocates for collaborative interventions that emphasise the critical, creative knowledges enmeshed in marginalised experiences. The book compellingly enacts this approach to practical theology; rooted in concrete issues and argued through poetic writing, artwork, and interdisciplinary sources.
Narratives of Disparity
Islam and the West are often identified as two distinct civilizations with conflicting characteristics. Assuming that a clash between Islam and the West is not inevitable, this study demonstrates that the divide is fabricated on both sides by Narratives of Disparity (NoDs) which are often built on historical narratives. The interplay of history and fiction in NoDs is exhibited on four novels published in Britain after 9/11, covering the most frequently used tropes: the postcolonial experience, counterterrorism, eurocentrism, traditionalism, honour killings and sexual autonomy.
After Modernism
While celebrating the centenary of the “annus mirabilis” of modernism, we now encounter modernism after postmodernist, poststructuralist, postcolonial, critical race, feminist, queer and trans writing and theory. Out of the figures, narratives and concepts they have developed, a less universal, more global, decentred, context-specific, interconnected modernism emerges. In “after modernism” the meanings of “after” include periodisation, homage and critique. This book attends to neglected genealogies and intertexts—“high” and “low,” yet offering unacknowledged ontological, epistemological, conceptual and figurative resources. How have artists of the Global South negotiate...
Rewriting the North
This book shows how twenty-first-century writing about Northern England imagines alternative democratic futures for the region and the English nation, signalling the growing awareness of England as a distinct and variegated political formation. In 2016, the Brexit vote intensified ongoing constitutional tensions throughout the UK, which have been developing since the devolution of Scotland, Wales, and Northern Ireland in 1997. At the same time, British devolution developed a distinctively cultural registration as a surrogate for parliamentary representation and an attempt to disrupt the status of London as Britain’s cultural epicentre. Rewriting the North shifts this debate in a new direction, examining Northern literary preoccupation with devolution’s constitutional implications. Through close readings of six contemporary authors – Sunjeev Sahota, Sarah Hall, Anthony Cartwright, Adam Thorpe, Fiona Mozley, and Sarah Moss – this book argues that literary engagement with the North emphasises regional devolution's limited constitutional charge, calling instead for an urgent abandonment of the British centralised state form.
UK and Irish Television Comedy
This book looks at television comedy, drawn from across the UK and Ireland, and ranging chronologically from the 1980s to the 2020s. It explores depictions of distinctive geographical, historical and cultural communities presented from the insiders’ perspective, simultaneously interrogating the particularity of the lived experience of time, and place, embedded within the wide variety of depictions of contrasting lives, experiences and sensibilities, which the collected individual chapters offer. Comedies considered include Victoria Wood’s work on ‘the north’, Ireland’s Father Ted and Derry Girls, Michaela Coel’s east London set Chewing Gum, and Wales’ Gavin and Stacey. There are chapters on Scottish sketch and animation comedy, and on series set in the Midlands, the North East, the South West and London’s home counties. The book offers thoughtful reflection on funny and engaging representations of the diverse, fragmented complexity of UK and Irish identity explored through the intersections of class, ethnicity and gender.
Theology, Religion, and The Office
Theology, Religion, and The Office: Beauty in Ordinary Things explores the enduring impact of the hit NBC series The Office, which, seven years after its official end, remained the number one streamed TV show with a staggering 57 billion viewing minutes, outpacing its closest competitor by 45%. The Office has made an indelible mark on popular culture, paving the way for beloved series like Brooklyn Nine-Nine, Parks and Recreation, and The Good Place. Beyond its witty humor and memorable characters, this book questions whether the show's value extends beyond mere comedy, and delves into the deeper lessons and insights it offers. As an addition to the Theology, Religion, and Pop Culture series, the book invites readers to consider the theological and philosophical dimensions hidden within the ordinary settings of this fictional Pennsylvania paper company. This volume has gathered a diverse group of scholars from theology, religion, and related fields providing a unique theological and religious perspectives on The Office.
Thinking with the Familiar in Contemporary Literature and Culture 'Out of the Ordinary'
What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary.
Postcolonial Satire
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
