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Jenny Lind, the Swedish Nightingale, was a household name in 1950 - as world-famous then as Beyonce is now. She was renowned not just as a singer but also for her charity, her generosity and, at a time when the terms 'singer' and 'actress' had scandalous overtones, her virtuous life. In this fascinating biography, Jenny Lind's great grand-daughter uncovers an extraordinary story, from the register of illegitimate births in Stockholm, to discovery by the Swedish Royal Theatre at just nine years old, to honour in the courts of Europe and a phenomenal tour of America. Jenny's story is one of huge professional triumph, offering her fame and fortune and even the interest of kings, princes and the rich and famous, yet she experienced searing heartbreak before finally finding happiness in love. A truly fascinating story, essential reading for everyone interested in music, theatre and general history.
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
This is a new release of the original 1940 edition.
New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919.
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