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PostNegritude Visual and Literary Culture
In the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties. Reid explains how artists such as filmmakers Julie Dash, Spike Lee, and Marlon Riggs, photographers Rotimi Fani-...
The Illustrated WALDEN with Photographs from the Gleason Collection
This illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "the simple beauty of New England," became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described—all of them still looking much as they had when Thoreau knew them—and photographed them. Gleason became so interested in the project that he co...
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
Shaw and Other Matters
Demonstrating the influence of scholar-teacher Stanley Weintraub on his students, Shaw and Other Matters reflects the scope of that influence in its concern with a variety of literary figures - from Shaw to Joe Orton - and of topics such as war memoirs and golem/robots. The variety is there, as well, in the approaches to the subjects: Rodelle Weintraub's dream analysis of Arms and the Man; Julie Sparks's comparison of Shaw with Bellamy, Morris, and Bulwer-Lytton as world "betterers"; Michael Pharand's evaluation of Shaw's changing views of Napoleon; Kinley Roby's tracing of Shaw's exchanges of views on playwriting with Arnold Bennett; and Kay Li's archetypal exploration of characters in Heartbreak House.
Indian Librarian
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Publishers Weekly
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