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Self Made
Now a Netflix series starring Octavia Spencer, Self Made (formerly titled On Her Own Ground) is the first full-scale biography of “one of the great success stories of American history” (The Philadelphia Inquirer), Madam C.J. Walker—the legendary African American entrepreneur and philanthropist—by her great-great-granddaughter, A’Lelia Bundles. The daughter of formerly enslaved parents, Sarah Breedlove—who would become known as Madam C. J. Walker—was orphaned at seven, married at fourteen, and widowed at twenty. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then—with the discovery of a revolutionary hair care formula for black women—everything changed. By her death in 1919, Walker managed to overcome astonishing odds: building a storied beauty empire from the ground up, amassing wealth unprecedented among black women, and devoting her life to philanthropy and social activism. Along the way, she formed friendships with great early-twentieth-century political figures such as Ida B. Wells, Mary McLeod Bethune, W.E.B. Du Bois, and Booker T. Washington.
On Her Own Ground
Soon to be a Netflix series starring Octavia Spencer, On Her Own Ground is the first full-scale biography of “one of the great success stories of American history” (The Philadelphia Inquirer), Madam C.J. Walker—the legendary African American entrepreneur and philanthropist—by her great-great-granddaughter, A’Lelia Bundles. The daughter of formerly enslaved parents, Sarah Breedlove—who would become known as Madam C. J. Walker—was orphaned at seven, married at fourteen, and widowed at twenty. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then—with the discovery of a revolutionary hair care formula for black women—everything changed. By her death in 1919, Walker managed to overcome astonishing odds: building a storied beauty empire from the ground up, amassing wealth unprecedented among black women, and devoting her life to philanthropy and social activism. Along the way, she formed friendships with great early-twentieth-century political figures such as Ida B. Wells, Mary McLeod Bethune, W.E.B. Du Bois, and Booker T. Washington.
In Her Blood
When a body is discovered in the water at the Falls of Lora, it looks like a straightforward suicide. But when DCI Christine Caplan’s superior officer alerts her to similarities with a locked case – and a legal minefield – she discovers that darker truths lurk beneath the surface. ‘Girl A’ was convicted of murdering three people when she was a child. Now she’s missing and a man is dead. The top brass are screaming for a quick resolution, and Girl A is a media sensation and a risk to herself as well as others. The clock is ticking for DCI Christine Caplan to bring her to justice – but the truth may be darker than even she fears . . .
The Devil Stone
In the village of Cronchie, a wealthy family are found brutally murdered. The Devil Stone, an heirloom rumoured to bring death if removed from their home, is the only thing stolen. The key suspects are known satanists. But when the investigating officer disappears, DCI Christine Caplan is pulled in to investigate. Caplan knows she is being punished for a minor misdemeanour when she is seconded to the Highlands, but she’s confident she can quickly solve the murders and return home to her fractious family. But as she closes in on the truth, it is suddenly her life, not her career, that is in danger.
Cable Guys
The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad, to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung, depictions of male characters perplexed by societal expectations of men and anxious about changing American masculinity have become standard across the television landscape. Engaging with a wide variety of shows, including The League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz identifies the gradual incorporation of second-wave feminism into prevailin...
Conversations with Women Showrunners
Featuring over forty interviews with America’s leading showrunners, this book provides unique perspectives and insights into the TV industry, demystifying the craft, backbone, skill, strategies, challenges, and persistence it takes to succeed in Hollywood and internationally. Marygrace O’Shea’s conversations with women showrunners are part master craft lesson, part backstage pass, part career guide from the geniuses who create the best TV. The book shines a light on what it truly means to be a showrunner working in the industry today, and reveals how to navigate a career and a future in the global marketplace. Interviews include Angela Kang (The Walking Dead), Aline Brosh McKenna (Craz...
North Pole Ninjas: MISSION: Christmas!
East meets North in North Pole Ninjas, a yuletide call-to-arms to save the spirit of Christmas. You may not know that Santa has a team of special elves, selected for their ability to perform top-secret missions that are all about helping, giving, caring, and listening. Anyone who receives this book is called upon to help carry out those missions with a bit of stealth and an open heart. The gorgeously illustrated picture book retells the legend of the North Pole Ninjas for new recruits. Complete with 50 secret tasks for new recruits this holiday season, this is the perfect antidote to worrying about whether you've been naughty or nice.
Diversity and Homogeneity
Diversity and Homogeneity explores current issues related to the nation, ethnicity and gender in literature, film, media and theatrical performance in both the UK and the USA. Employing a broad research framework, it investigates the problematics of migration, nomadism, nationhood, citizenship, patriotism, terrorism, totalitarianism, social and racial equality, as well as masculinity and femininity in modern multicultural societies. Keenly attuned to questions of alterity, social and cultural fluidity, and heterogeneous forms of identity, yet also sensitive to contemporary unifying tendencies informing an increasingly globalized world, the volume’s contributions critically interrogate and challenge the traditional notions attached to the three overarching categories of the book’s title.
