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The Southern Version of Cursor Mundi Vol I: Lines 1-9228
The medieval poem Cursor Mundi is a biblical verse account of the history of the world, offering a chronological overview of salvation history from Creation to Doomsday. Originating in northern England around the year 1300, the poem was frequently copied in the north before appearing in a southern version in substantially altered form. Although it is a storehouse of popular medieval biblical lore and a fascinating study in the eclectic use of more than a dozen sources, the poem has until now attracted little scholarly attention. This five-part collaborative edition presents the Arundel version of the poem with variants from three others. In addition, it provides a discussion of sources and analogues, detailed explanatory notes, and a bibliography. Published in English.
Clerks, Wives and Historians
This volume comprises selected papers of SEM VI to VIII (Studientage Englisches Mittelalter), held at Jena, Bochum, and Zurich between 2004 and 2007. It presents a representative cross-section of topics in the field of English medieval studies in Germany and Switzerland. The spectrum ranges from philological textual criticism, cultural studies centring around the history of ideas, questions of historical writing, alliteration, and the depiction of the monstrous in early modern literature, to philological and linguistic approaches focussing on morphology and grammar.
The Lyf of Oure Lady
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Literary Practice and Social Change in Britain, 1380-1530
As a traditional site of historical criticism, medieval studies is particularly well placed to benefit from the recent reemergence of historicism in literary studies. But this new "critical historicism" differes from the traditional criticism in both method an interests, differences that are well illustrated by this collection. A concern with politics, a reliance on the materials of economic and social history, a conception of writing as a form of social practices, a focus upon the forces of change in medieval culture, and unwillingness to observe the usual distinction between literary and historical texts, and a historicization of their own activity--these characteristics make these essays ...
Illuminating Moses
In Illuminating Moses: A History of Reception, readers discover the roles of Moses from the Exodus to the Renaissance--law-giver, prophet, writer--and their impact on Jewish and Christian cultures as seen in the Hebrew Bible, Patristic writings, Catholic liturgy, Jewish philosophy and midrashim, Anglo-Saxon literature, Scholastics and Thomas Aquinas, Middle English literature, and the Renaissance. Contributors are Jane Beal, Robert D. Miller II, Tawny Holm, Christopher A. Hall, Luciana Cuppo-Csaki, Haim Kreisel, Rachel S. Mikva, Devorah Schoenfeld, Gernot Wieland, Deborah Goodwin, Franklin T. Harkins, Gail Ivy Berlin, and Brett Foster.
Authorising History
“This book discusses the strategies and rhetorical means by which four authors of Middle English verse historiography seek to authorise their works and themselves. Paying careful attention to the texts, it traces the ways in which authors inscribe their fictional selves and seek to give authority to their constructions of history. It further investigates how the authors position themselves in relation to their task of writing history, their sources and their audiences. This study provides new insights into the processes of the appropriation of history around 1300 by social groups whose lack of the relevant languages, before this ‘anglicising’ of the dominant Latin and French history constructions, prevented their access to the history of the British isles.” —Wilhelm Busse University of Düsseldorf
The Literal Sense and the Gospel of John in Late Medieval Commentary and Literature
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Medieval and Early Modern Religious Cultures
New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication.
The Feral Piers
What do we mean when we talk about the text of Piers Plowman? What is the concept of a literary text when that construct exists in so many variant and feral forms, as is the case for the multiple modern editorial reconstructions and the more than fifty surviving manuscripts and early print editions of Piers Plowman? How do the anonymous roles of author, scribe, and reader intersect to create the experience of the text? How can we judge a pre-modern text’s reception history if we do not know exactly what it was that the early reader was responding to? This book takes a daring and innovative approach to answering such questions as these. It is a micro-study of one particular historic version...
