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My War Experiences in Two Continents
'My War Experiences in Two Continents' is an autobiography written by Sarah Broom Macnaughtan. With the outbreak of the First World War, she volunteered with the Red Cross Society. In September 1914, she traveled to Antwerp, Belgium, as part of an ambulance unit. After the evacuation of the city, she gave assistance in northern France, opening a soup kitchen in Adinkerke. For her work under fire in Belgium, she received the Order of Leopold. Later in the war, she moved to Russia, planning to provide medical assistance. She moved on to Yerevan, Armenia, where there was a refugee crisis after the Armenian genocide.
My War Experiences in Two Continents
"My War Experiences in Two Continents" from Sarah Broom Macnaughtan. Scottish-born English novelist (1864-1916).
A Woman's Diary of the War
A Woman's Diary of the War is the personal recollections of Sarah Macnaughtan, a Scottish woman who volunteered for the Red Cross during World War I. She fell ill in Iran and eventually died in London in 1916.
My War Experiences in Two Continents
Sarah Macnaughtan
My War Experiences in Two Continents (Esprios Classics)
Sarah Broom Macnaughtan (26 October 1864 - 24 July 1916) was a Scottish novelist. With the outbreak of the First World War, she volunteered with the Red Cross Society and was sent to Russia and eventually Armenia. She wrote extensively about the plight of the Armenian refugees of the Armenian Genocide. She died due to an illness she contracted while abroad. London. There she would embark on a career as a writer, with her first novel, Selah Harrison, published in 1898. The best known of her works were The Fortune of Christina M'Nab (1901), A Lame Dog's Diary (1905), and The Expensive Miss Du Cane (1900).
A Woman's Diary of the War
One of the most powerful descriptions of the scourge of the First World War by a woman who was on the front lines and ultimately gave her life for the cause.Scottish-born English novelist, Sarah Broom Macnaughtan (1864 - 1916) spent much of her life in the service of others in need. She worked for the Red Cross to aid soldiers and civilians in the Balkans, the Boer War, and WWI. She was a suffragist and worked for the poor.She kept this diary during her service in WWI. During that war, she received the Order of Leopold for work under fire in Belgium. On her way to provide medical assistance in Russia, she fell ill. Upon her return to England, she died.
The Beauty And The Sorrow
There are many books on the First World War, but award-winning and bestselling historian Peter Englund takes a daring and stunning new approach. Describing the experiences of twenty ordinary people from around the world, all now unknown, he explores the everyday aspects of war: not only the tragedy and horror, but also the absurdity, monotony and even beauty. Two of these twenty will perish, two will become prisoners of war, two will become celebrated heroes and two others end up as physical wrecks. One of them goes mad, another will never hear a shot fired. Following soldiers and sailors, nurses and government workers, from Britain, Russia, Germany, Australia and South America - and in theatres of war often neglected by major histories on the period - Englund reconstructs their feelings, impressions, experiences and moods. This is a piece of anti-history: it brings this epoch-making event back to its smallest component, the individual.
A Woman's Diary of the War (Annotated)
One of the most powerful descriptions of the scourge of the First World War by a woman who was on the front lines and ultimately gave her life for the cause. Scottish-born English novelist, Sarah Broom Macnaughtan (1864 – 1916) spent much of her life in the service of others in need. She worked for the Red Cross to aid soldiers and civilians in the Balkans, the Boer War, and WWI. She was a suffragist and worked for the poor. She kept this diary during her service in WWI. During that war, she received the Order of Leopold for work under fire in Belgium. On her way to provide medical assistance in Russia, she fell ill. Upon her return to England, she died. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
The Feminine Gaze
Many Canadian women fiction writers have become justifiably famous. But what about women who have written non-fiction? When Anne Innis Dagg set out on a personal quest to make such non-fiction authors better known, she expected to find just a few dozen. To her delight, she unearthed 473 writers who have produced over 674 books. These women describe not only their country and its inhabitants, but a remarkable variety of other subjects: from the story of transportation to the legacy of Canadian missionary activity around the world. While most of the writers lived in what is now Canada, other authors were British or American travellers who visited Canada throughout the years and reported on what they found here. This compendium has brief biographies of all these women, short descriptions of their books, and a comprehensive index of their books’ subject matters. The Feminine Gaze: A Canadian Compendium of Non-Fiction Women Authors and Their Books, 1836-1945 will be an invaluable research tool for women’s studies and for all who wish to supplement the male gaze on Canada’s past.
Disturbing Practices
For decades, the history of sexuality has been a multidisciplinary project serving competing agendas. Lesbian, gay, and queer scholars have produced powerful narratives by tracing the homosexual or queer subject as continuous or discontinuous. Yet organizing historical work around categories of identity as normal or abnormal often obscures how sexual matters were known or talked about in the past. Set against the backdrop of women’s work experiences, friendships, and communities during World War I, Disturbing Practices draws on a substantial body of new archival material to expose the roadblocks still present in current practices and imagine new alternatives. In this landmark book, Laura Doan clarifies the ethical value and political purpose of identity history—and indeed its very capacity to give rise to innovative practices borne of sustained exchange between queer studies and critical history. Disturbing Practices insists on taking seriously the imperative to step outside the logic of identity to address questions as yet unasked about the modern sexual past.
