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Disturbing Practices
Discusses the history of sexuality in Britain in the first decades of the twentieth century and also the way it is studied.
Fashioning Sapphism
The highly publicized obscenity trial of Radclyffe Hall's The Well of Loneliness (1928) is generally recognized as the crystallizing moment in the construction of a visible modern English lesbian culture, marking a great divide between innocence and deviance, private and public, New Woman and Modern Lesbian. Yet despite unreserved agreement on the importance of this cultural moment, previous studies often reductively distort our reading of the formation of early twentieth-century lesbian identity, either by neglecting to examine in detail the developments leading up to the ban or by framing events in too broad a context against other cultural phenomena. Fashioning Sapphism locates the noveli...
The Lesbian Postmodern
This collection of essays explores the shifting definitions of the terms lesbian and postmodern, the lesbian in contemporary fiction and Hollywood film, and the pitfalls and rewards of the recent lesbian theory.
Sapphic Modernities
An examination of the representation of the lesbian in modernity from the multiple perspectives of literary, visual and cultural studies, this book shows how the sapphic figure, in her multiple and contradictory guises, refigured and redefined citizenship in the early decades of the twentieth century.
Territories of Desire in Queer Culture
This book engages with, and develops, current debates about desire and sexual identification by focusing on a wide selection of contemporary literature, film, and theory. These texts range from the novels of Alan Hollinghurst and Paul Magrs to the work of Pedro Almodovar, RuPaul, Derek Jarman, and Camille Paglia, as well as TV programs like "Ellen" and "Shinjuku Boys, " and individual films such as Collard's "Savage Nights."
Sexology in Culture
The key founders of sexology, the "science of desire," were Havelock Ellis, Richard von Krafft-Ebing, and Magnus Hirschfeld. This volume examines the impact of their writings on English-speaking culture from the 1880s to the early 1940s. How influential a field was sexology during this period, and how much power did sexologists wield? What was the impact of their work on popular and official attitudes to sex? Lucy Bland and Laura Doan have brought together leading historians of sex, cultural and literary critics, and scholars in gay, lesbian, and queer studies, to reassess current debates on sexology in light of its history. They address issues such as the relation of "sexual science" to the law, government policy, journalism, eugenics programs, marriage and sex manuals, and literary representation. They also map out new readings of transsexuality and bisexuality, and the centrality of race within sexology. Sexology in Culture and its companion Sexology Uncensored will interest all those concerned with understanding modern sexual discourse in its historical context.
Sexology Uncensored
Sexology Uncensored brings together, for the first time, many of the key documents of the modern science of sexuality that emerged in the late nineteenth century. The early pioneers of the new field of sexology examined and classified sexual behaviors, identities, and relations. For years much of the material here has been "censored" in the sense that it is difficult to obtain, subject to restrictive circulation, or available only in medical archives. The extracts (which date from the 1880s to the 1940s) cover a variety of topics including gender and sexual difference; homosexuality; transsexuality and bisexuality; heterosexuality; marriage and sex manuals; reproductive control; eugenics; race; and various sexual proclivities. Offering readers access to the primary materials on which contemporary sexology is founded, Sexology Uncensored is an invaluable record for all those interested in how we have come to think about sex and sexuality over the last hundred years. Sexology in Culture and its companion Sexology Uncensored will interest all those concerned with understanding modern sexual discourse in its historical context.
Palatable Poison
The Well of Loneliness was released in Britain in 1928 and was immediately controversial. This text gathers together classic essays on the book to provide an understanding of how views have changed.
Disturbing Practices
For decades, the history of sexuality has been a multidisciplinary project serving competing agendas. Lesbian, gay, and queer scholars have produced powerful narratives by tracing the homosexual or queer subject as continuous or discontinuous. Yet organizing historical work around categories of identity as normal or abnormal often obscures how sexual matters were known or talked about in the past. Set against the backdrop of women’s work experiences, friendships, and communities during World War I, Disturbing Practices draws on a substantial body of new archival material to expose the roadblocks still present in current practices and imagine new alternatives. In this landmark book, Laura Doan clarifies the ethical value and political purpose of identity history—and indeed its very capacity to give rise to innovative practices borne of sustained exchange between queer studies and critical history. Disturbing Practices insists on taking seriously the imperative to step outside the logic of identity to address questions as yet unasked about the modern sexual past.
The Single Woman, Modernity, and Literary Culture
This book situates the single woman within the evolving landscape of modernity, examining how she negotiated rural and urban worlds, explored domestic and bohemian roles, and traversed public and private spheres. In the modern era, the single woman was both celebrated and derided for refusing to conform to societal expectations regarding femininity and sexuality. The different versions of single women presented in cultural narratives of this period—including the old maid, odd woman, New Woman, spinster, and flapper—were all sexually suspicious. The single woman, however, was really an amorphous figure who defied straightforward categorization. Emma Sterry explores depictions of such single women in transatlantic women’s fiction of the 1920s to 1940s. Including a diverse selection of renowned and forgotten writers, such as Djuna Barnes, Rosamond Lehmann, Ngaio Marsh, and Eliot Bliss, this book argues that the single woman embodies the tensions between tradition and progress in both middlebrow and modernist literary culture.
