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An international array of twenty-six scholars contributes twenty-one essays to honor Ziony Zevit (American Jewish University), one of the foremost biblical scholars of his generation. The breadth of the honoree is indicated by the breadth of coverage in these twenty-one articles, with seven each in the categories of history and archaeology, Bible, and Hebrew (and Aramaic) language.
Recognizing the absence of a God named Yahweh outside of ancient Israel, this study addresses the related questions of Yahweh's origins and the biblical claim that there were Yahweh-worshipers other than the Israelite people. Beginning with the Hebrew Bible, with an exhaustive survey of ancient Near Eastern literature and inscriptions discovered by archaeology, and using anthropology to reconstruct religious practices and beliefs of ancient Edom and Midian, this study proposes an answer. Yahweh-worshiping Midianites of the Early Iron Age brought their deity along with metallurgy into ancient Palestine and the Israelite people.
What does Scripture mean when it speaks of the glory of God? The answer to this question is not as straightforward as we might think! In Show Me Your Glory, Rebecca Idestrom invites the reader on a journey to discover what the Old Testament teaches us about God’s glory. While exploring this biblical theme, she examines various scriptural passages about the glory of the LORD within their larger narrative context in each biblical book. She also considers the different key words used for glory as well as the many diverse images and themes connected to God’s glory. This thematic investigation demonstrates that the Old Testament Scriptures present a deeply profound and multifaceted portrait of the glory of God. Although it is impossible to fully capture what the Bible says about God’s majestic glory, Show Me Your Glory yields many wonderful insights into its depiction, meaning, and significance, resulting in a deep and rich biblical theology of divine glory.
It surprises many to learn that millions of Soviet Muslims fought on the frontlines against Hitler's armies. During the Second World War, as the Soviet Red Army was locked in brutal combat against the Nazis, Stalin ended the state's violent, decades-long persecution of religion. Religious elites of all faiths were suddenly tasked with rallying Soviet citizens to a "Holy War" against Hitler. Using evidence from many sources (in several languages including Russian, Tatar, Bashkir, Uzbek, and Persian), God Save the USSR recounts the wartime "religious revolution" that ensued, with a focus on the Soviet Union's Muslims.
In the 1920s an international team of scientists and miners unearthed the richest evidence of human evolution the world had ever seen: Peking Man. After the communist revolution of 1949, Peking Man became a prominent figure in the movement to bring science to the people. In a new state with twin goals of crushing “superstition” and establishing a socialist society, the story of human evolution was the first lesson in Marxist philosophy offered to the masses. At the same time, even Mao’s populist commitment to mass participation in science failed to account for the power of popular culture—represented most strikingly in legends about the Bigfoot-like Wild Man—to reshape ideas about human nature. The People’s Peking Man is a skilled social history of twentieth-century Chinese paleoanthropology and a compelling cultural—and at times comparative—history of assumptions and debates about what it means to be human. By focusing on issues that push against the boundaries of science and politics, The People’s Peking Man offers an innovative approach to modern Chinese history and the history of science.
There is no other book in the Bible like the Song of Songs. It is a highly literate collection of love poems, at times intense with erotic desire and at times playful or flirtatious. This commentary draws out the tone of each poem, along with its language and literary qualities, including its metaphors, allusions, and clever use of words. While there are correspondences between the Song and the literatures of Egypt and Mesopotamia, and they are cited in the commentary, the greatest foreign influence on the book comes from Greece. The commentary approaches the Song as a Jewish-Hellenistic work, in the full sense of that hyphenated term. It notes Greek ideas and tropes that appear throughout the book and shows how they have been adjusted and incorporated into Jewish thought and literary forms. The book's Grecisms are dressed in "biblical" idioms and imagery. Going beyond previous studies, this volume emphasizes that the Song's blending together of the Jewish and the Greek is part of its literary virtuosity.
This two-volume book presents cutting-edge archaeological research, primarily as practiced in the Eastern Mediterranean region. These volumes’ key foci are inspired by the work of Thomas E. Levy. Volume 1 provides an in-depth look at new archaeological research in the southern Levant (primarily in modern Israel and Jordan) inspired by Levy’s commitment to understanding social, political, and economic processes in a long-term or “deep time” perspective. Volume 2 focuses on new research in several key areas of 21st century anthropological archaeology and archaeological science. Volume 1 is organized around two major themes: 1) the later prehistory of the southern Levant, or the Neolith...
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We approach Raphael’s “Agony in the Garden” or Fra Angelico’s “Crucifixion” for their beauty and not primarily to learn about fifteenth-century fashion or even to decode the iconography. Yet the many books on the Song of Songs, whether they try to read the book as an ancient Near Eastern love song or a Christian allegory, miss the main point of this book: its aesthetic elements. “Aesthetics” is the appreciation of beauty. Aesthetics examines literary form as a response to content, the way poetics works with contents, the use of loaded semantic terms, even the sound created by words and what cognitive science tells us it does to listeners. This book uses the commentary format to accompany an individual’s reading of the Song of Songs, focusing on these neglected aspects of the text. It both reads the book as it is meant to be read and opens up a new vista on this magnificent biblical text.
This is a delightfully amusing story about a determined young pet stylist called Herschel, who makes it his mission to brush a bear… He’s a head stylist, pet pamperer, extraordinaire! He dreams of awards, and longs to win prizes, For coiffuring creatures in all shapes and sizes! But a bear’s not a pet!! And brushing a bear is something he should forget! This charming story introduces us to Herschel, an adventurous and ambituous pet stylist who wants to style an animal he has never worked with before... a bear! He ventures deep into the woods in order to accomplish his aim. He follows a trail of leaves into a dark cave, discovering a GIANT and TERRIFYING BEAR... who turns out to be quite polite! Bright and lively illustrations accompany rhyming text to create a fun story that will have children laughing out loud as they read along. The latest title from award-winning author and illustrator Sam Hearn this book will be beloved by children and adults alike.