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The Two Kinds of Decay
At twenty-one, just as she was starting to comprehend the puzzles of adulthood, Sarah Manguso was faced with another: a wildly unpredictable autoimmune disease that appeared suddenly and tore through her twenties, paralysing her for weeks at a time, programming her first to expect nothing from life and then, furiously, to expect everything. In this captivating story, Manguso recalls her struggle: arduous blood cleansings, collapsed veins, multiple chest catheters, depression, the deaths of friends and strangers, addiction, and, worst of all for a writer, the trite metaphors that accompany prolonged illness. A book of tremendous grace and humour, The Two Kinds of Decay transcends the very notion of what an account of illness can and should be.
Very Cold People
Guardian's Best Fiction of 2022 'One of the most original and exciting writers working in English today' - Jhumpa Lahiri Once home to the country's most illustrious families, Waitsfield, Massachusetts, is now an unforgiving place awash with secrets. Forged in this frigid landscape, Ruthie learns how the town's prim facade conceals a deeper, darker history and how silence often masks a legacy of harm - from the violence that runs down the family line to the horrors endured by her high school friends. In Very Cold People Sarah Manguso reveals the suffocating constraints of growing up in a very old, and very cold, small town. Here lies a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smouldering rage . . . 'Chilling . . . deeply impressive' - Guardian 'A masterclass in unease' - The Observer Longlisted for the Wingate Prize 2023
300 Arguments
'Jam-packed with insights you'll want to both text to your friends and tattoo on your skin . . . A sweeping view of a human mind trying to make order of the world around us.' Celeste Ng, author of Little Fires Everywhere Think of this as a short book composed entirely of what I hoped would be a long book’s quotable passages. 300 Arguments by Sarah Manguso is at first glance a group of unrelated aphorisms, but the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso’s arguments about writing, desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature. Lines you will underline, write in notebooks and read to the person sitting next to you, that will drift back into your mind as you try to get to sleep. '300 Arguments reads like you've jumped into someone's mind.' NPR
Ongoingness
In Ongoingness, Sarah Manguso continues to define the contours of the contemporary essay. In it, she confronts a meticulous diary that she has kept for twenty-five years. ‘I wanted to end each day with a record of everything that had ever happened,’ she explains. But this simple statement belies a terror that she might forget something, that she might miss something important. Maintaining that diary, now eight hundred thousand words, had become, until recently, a kind of spiritual practice. Then Manguso became pregnant and had a child, and these two Copernican events generated an amnesia that put her into a different relationship with the need to document herself amid ongoing time. Ongoingness is a spare, meditative work that stands in stark contrast to the volubility of the diary – it is a haunting account of mortality and impermanence, of how we struggle to find clarity in the chaos of time that rushes around and over and through us.
The Guardians
In 2008, one of Sarah Manguso's oldest friends discharged himself from a New York City psychiatric hospital and threw himself in front of a train; the last ten hours of his life are unaccounted for. In this new memoir, Manguso continues her attention to illness, suffering, and time's relentless forward momentum, which prevents total recovery from grief. As she did brilliantly in her first memoir, The Two Kinds of Decay, Manguso explores the insufficiency of explanation and the necessity of the imagination in making sense of anything at all.
The Captain Lands in Paradise
Sarah Manguso's first collection, a combination of verse and prose poems, explores love, nostalgia, remorse, and the joyful and mysterious preparation for the discoveries of new lands, selves, and ideas. The voice is consistently spare, honest, understated, and eccentric.
You Never Get It Back
The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
Ongoingness/ 300 Arguments
'This small-sized book has immense power. Marvel at the clarity and fire.' Zadie Smith 'Jam-packed with insights you'll want to both text to your friends and tattoo on your skin' Celeste Ng A combined book of two daring works by Sarah Manguso, presented together in a rare reversible single edition. 300 ARGUMENTS Think of this as a short book composed entirely of what I hoped would be a long book’s quotable passages. 300 Arguments by Sarah Manguso is at first glance a group of unrelated aphorisms, but the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso’s arguments about writing, desire, ambition, relationships, and failure are pithy, unsentimental,...
Uselessness
Eduardo Lalo is a writer, essayist, and artist from San Juan, Puerto Rico. His many books include the award-winning novel Simone, which we published in translation. Suzanne Jill Levine is a leading translator of Latin American literature who runs the translation doctoral program at UCSB. A tale of social, spiritual, and intellectual yearning, Uselessness follows the life of its narrator, a young Puerto Rican writer studying in Paris, the city of his dreams. There he finds an appreciation of the arts that he has always longed for, yet he remains alienated from it because of his uncertain identity. Meanwhile, he grapples with two long, tumultuous love affairs. He conveys these events in a dark...
Siste Viator
"This book is for those of us who want to read more poetry but are frequently stopped by its--what is it? Its chilly self-seriousness? Its unwillingness to hold our hand every so often, while cracking an easy joke? Either way, Sarah Manguso, like her spiritual siblings David Berman and Tony Hoagland, is a friendly kind of savior and guide. Her writing is gorgeous and cerebral (imagine Anne Carson) but she doesn't skimp on the wit (imagine Anne Carson's ne'er-do-well niece). Poetry-fearers, don't back away from this beautiful book; these might be the pages that bring you back into the form." --Dave Eggers
