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FROM THE DIRECTOR AND SCREENWRITER OF WOMEN TALKING 'Fascinating, harrowing, courageous, and deeply felt, these explorations of "dangerous stories", harmful past events and trials of the soul speak to all who've encountered dark waters and have had to navigate them.' Margaret Atwood Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling skills, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory and the embodied reactions of children and women adapting and surviving. T...
A finalist for the Scotiabank Giller Prize and a national bestseller, Zoe Whittall’s The Best Kind of People is a stunning tour de force about the unravelling of an all-American family. George Woodbury, an affable teacher and beloved husband and father, is arrested for sexual impropriety at a prestigious prep school. His wife, Joan, vaults between denial and rage as the community she loved turns on her. Their daughter, Sadie, a popular over-achieving high school senior, becomes a social pariah. Their son, Andrew, assists in his father’s defense, while wrestling with his own unhappy memories of his teen years. A local author tries to exploit their story, while an unlikely men’s rights activist attempts to get Sadie onside their cause. With George locked up, how do the members of his family pick up the pieces and keep living their lives? How do they defend someone they love while wrestling with the possibility of his guilt? With exquisite emotional precision, award-winning author Zoe Whittall explores issues of loyalty, truth, and the meaning of happiness through the lens of an all-American family on the brink of collapse.
By the author of The Handmaid's Tale Now a major NETFLIX series Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery. 'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel 'The outstanding novelist of our age' Sunday Times 'A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled' Julie Myerson, Independent on Sunday
Short stories by an author who offers “shrewd, bitingly funny commentary on his own privileged class” (Time). In nine stories that move between nouveau riche Los Angeles and the working class East Coast, and strike a balance between comedy and catastrophe, Kevin Morris explores the vicissitudes of modern life. Whether looking for creative ways to let off steam after a day in court or enduring chaperone duties on a school field trip to the nation’s capital, the heroes of White Man’s Problems struggle to navigate the challenges that accompany marriage, family, success, failure, growing up, and getting older. “Kevin Morris is that rare writer who bridges the class divide, illuminating...
We've all been there: twenty minutes before guests arrive, and you're unsure if you've got enough wine, or enough chairs, or whether your friend is a vegetarian or a vegan. Hosting a dinner party is hard, but Corey Mintz can help. For his popular Toronto Star column, "Fed," he has presided over 115 dinner parties, every week opening his home to strangers and friends alike in an effort to perfect the craft of hosting. And in How to Host a Dinner Party, he shares everything he's learned in a hilarious handbook that will appeal to everyone -- from those throwing their first dinner party to seasoned entertainers looking to enhance their skills. This book guides readers through everything they need to know about hosting, starting with the golden rule -- that the goal of a dinner party is to have fun with our friends, not to show off our cooking skills. It will explain why we like to gather for dinner, when we should host, who we should invite, what we should cook, and how we should cook it. Featuring recipes, anecdotes, expert analysis, and an endless bounty of how-to tips, it is the essential guide to perfecting the art of welcoming people into your home.
"When Stella does not want to go to bed, she tries all sorts of ways to keep the sun up"--
During Hollywood’s “classic era,” from the 1920s to 1950s, roughly twenty major fan magazines were offered each month at American newsstands and abroad. These publications famously fed fan obsessions with celebrities such as Mae West and Elvis Presley. Film studies scholars often regard these magazines with suspicion; perhaps due to their reputation for purveying scandal and gossip, their frequent mingling of gushing tone, and blatant falsehood. Looking at these magazines with fresh regarding eyes and treating them as primary sources, the contributors of this collection provide unique insights into contemporary assumptions about the relationship between fan and star, performer and viewer. In doing so, they reveal the magazines to be a huge and largely untapped resource on a wealth of subjects, including gender roles, appearance and behavior, and national identity. Contributors: Emily Chow-Kambitsch, Alissa Clarke, Jonathan Driskell, Lucy Fischer, Ann-Marie Fleming, Oana-Maria Mazilu, Adrienne L. McLean, Sarah Polley, Geneviève Sellier, Michael Williams
A "genre-twisting film by director Sarah Polley, who investigates the elusive truths of her eclectic family of storytellers as she playfully interrogates a cast of characters who each relate their version of the family mythology. Polley reveals the essence of family as she uncovers the secrets buried deep within-- "--Container.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I had a dream that I was in a blue poufy dress with a white pinafore, and I was constantly being made fun of and treated like a child. I wanted to be a queen, but I didn’t want to be left alone or tested. #2 I was diagnosed with scoliosis four years earlier during a routine insurance medical for the television series Road to Avonlea. My world began to curve nonsensically the previous year, and my own body curving alongside it gave things a logical symmetry. #3 I had a 38-degree curvature in my thoracic spine, and I was told that it was genetic. I was relieved that it wouldn’t kill me, but I was also sad that I wouldn’t be able to exalt in the grief of others the way I had with my mother’s cancer. #4 The first option for treating scoliosis was to wear a tight plastic brace, which wrapped around the torso, for sixteen hours a day. The more severe cases had to be operated on.
The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema puts forward the theoretical notion of the ‘nasty woman’ as a means of examining female protagonists in contemporary culture and cinema, particularly films directed by women. The phrase is taken from an insult thrown at Hillary Clinton during the 2016 Presidential election debates and reclaimed by the feminists worldwide. The volume also draws from the figure of the femme fatale in film noir. Piotrowska presents ‘the nasty woman’ across cultural and mythical landscape as a figure fighting against the entitlement of the patriarchy. The writer argues that in films such as Zero Dark Thirty, Red Road, Stories We Tell, and ev...